MARC record from Internet Archive

LEADER: 04206cam a2200829 i 4500
001 ocn793911024
003 OCoLC
005 20191109072408.4
007 tu
008 120508t20132013enka b 001 0 eng
010 $a 2012018848
040 $aDLC$beng$erda$cDLC$dUKMGB$dOCLCO$dBTCTA$dYDXCP$dERASA$dYNK$dBWX$dNLE$dUAT$dCOO$dPUL$dYUS$dIAD$dIG#$dOCLCQ$dCHVBK$dOCLCF$dGWDNB$dOCLCQ$dTJC$dOCL$dOCLCA$dUEJ$dDHA$dOCLCQ$dOKX$dOCLCQ$dOCLCO$dCNCLB$dUKROM$dOCLCA$dOCLCQ
015 $aGBB291556$2bnb
015 $a15,A19$2dnb
016 7 $a1051939518$2DE-101
016 7 $a016168321$2Uk
019 $a827785227
020 $a9781107028258$q(hardback)
020 $a1107028256$q(hardback)
024 8 $a40022060252
029 1 $aAU@$b000049155470
029 1 $aCHBIS$b007308599
029 1 $aCHDSB$b005951781
029 1 $aCHSLU$b001155199
029 1 $aCHVBK$b123675057
029 1 $aCHVBK$b182769496
029 1 $aCHVBK$b319767957
029 1 $aGWDNB$b1051939518
029 1 $aNZ1$b14814115
029 1 $aUKMGB$b016168321
035 $a(OCoLC)793911024$z(OCoLC)827785227
042 $apcc
050 00 $aML410.H4$bD65 2013
082 00 $a784.2092$223
084 $aJ605.521$2clc
084 $a780$qDE-101$2sdnb
049 $aMAIN
100 1 $aDolan, Emily I.,$eauthor.
245 14 $aThe orchestral revolution :$bHaydn and the technologies of timbre /$cEmily I. Dolan.
264 1 $aCambridge ;$aNew York :$bCambridge University Press,$c2013.
264 4 $c©2013
300 $axiii, 290 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 265-285) and index.
505 0 $aLessons at the ocular harpsichord -- The idea of timbre -- Haydn, orchestration, and re-orchestration -- The republic of sound -- The real museum of musical works -- Abuses of the orchestra.
520 $a"The Orchestral Revolution explores the changing listening culture of the eighteenth and early nineteenth centuries. Delving into Enlightenment philosophy, the nature of instruments, compositional practices and reception history, this book describes the birth of a new form of attention to sonority and uncovers the intimate relationship between the development of modern musical aesthetics and the emergence of orchestration. By focusing upon Joseph Haydn's innovative strategies of orchestration and tracing their reception and influence, Emily Dolan shows that the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments. The orchestra transformed from a mere gathering of instruments into an ideal community full of diverse, nuanced and expressive characters. In addressing this key moment in the history of music, Dolan demonstrates the importance of the materiality of sound in the formation of the modern musical artwork."--Publisher's description.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aHaydn, Joseph,$d1732-1809$xCriticism and interpretation.
600 11 $aHaydn, Joseph,$d1732-1809 - Criticism and interpretation.
600 17 $aHaydn, Joseph,$d1732-1809.$2fast$0(OCoLC)fst00040899
600 17 $aHaydn, Joseph$d1732-1809$2gnd
650 0 $aInstrumentation and orchestration$xHistory.
650 0 $aOrchestra$xHistory$y18th century.
650 7 $aInstrumentation and orchestration.$2fast$0(OCoLC)fst00974430
650 7 $aOrchestra.$2fast$0(OCoLC)fst01047284
650 7 $aOrchestermusik$2gnd
650 7 $aKlangfarbe$2gnd
650 7 $aInstrumentation$2gnd
648 7 $a1700-1799$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
856 41 $3Table of contents$uhttp://d-nb.info/1051939518/04
938 $aBaker and Taylor$bBTCP$nBK0012255340
938 $aErasmus Boekhandel$bERAA$nNTS0000149534
938 $aIngram$bINGR$n9781107028258
938 $aYBP Library Services$bYANK$n7560955
938 $aYBP Library Services UK$bYBPK$n7560955
994 $a92$bERR
976 $a31927002096433