MARC record from Internet Archive

LEADER: 05017cam 2200865 i 4500
001 ocn809911075
003 OCoLC
005 20210113190414.0
008 121023s2013 ilua b 000 0 eng c
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035 $a(OCoLC)809911075$z(OCoLC)809911077$z(OCoLC)852198360$z(OCoLC)857217700$z(OCoLC)936051359$z(OCoLC)1164679420$z(OCoLC)1175718067$z(OCoLC)1176267741
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050 00 $aHM881$b.M585 2013
082 00 $a322.4$223
084 $a71.38$2bcl
100 1 $aMitchell, W. J. T.$q(William John Thomas),$d1942-
245 10 $aOccupy :$bthree inquiries in disobedience /$cW.J.T. Mitchell, Bernard E. Harcourt, Michael Taussig.
264 1 $aChicago ;$aLondon :$bThe University of Chicago Press,$c2013.
300 $axv, 130 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTrios
500 $a"A critical inquiry book."
505 0 $aI'm so angry I made a sign / Michael Taussig -- Political disobedience / Bernard E. Harcourt -- Image, space, revolution: the arts of occupation / W.J.T. Mitchell.
504 $aIncludes bibliographical references.
520 $a"Mic check! Mic check! Lacking amplification in Zuccotti Park, Occupy Wall Street protesters addressed one another by repeating and echoing speeches throughout the crowd. In Occupy, W.J.T. Mitchell, Bernard E. Harcourt, and Michael Taussig take the protesters' lead and perform their own resonant call-and-response, playing off of each other in three essays that engage the extraordinary Occupy movement that has swept across the world, examining everything from self-immolations in the Middle East to the G8 crackdown in Chicago to the many protest signs still visible worldwide. "You break through the screen like Alice in Wonderland," Taussig writes in the opening essay, "and now you can't leave or do without it." Following Taussig's artful blend of participatory ethnography and poetic meditation on Zuccotti Park, political and legal scholar Harcourt examines the crucial difference between civil and political disobedience. He shows how by effecting the latter--by rejecting the very discourse and strategy of politics--Occupy Wall Street protesters enacted a radical new form of protest. Finally, media critic and theorist Mitchell surveys the global circulation of Occupy images across mass and social media and looks at contemporary works by artists such as Antony Gormley and how they engage the body politic, ultimately examining the use of empty space itself as a revolutionary monument. Occupy stands not as a primer on or an authoritative account of 2011's revolutions, but as a snapshot, a second draft of history, beyond journalism and the polemics of the moment--an occupation itself."--Publisher's website.
650 0 $aProtest movements.
650 0 $aOccupy movement.
650 0 $aArab Spring, 2010-
650 7 $a71.38 social movements.$2bcl
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650 7 $aProtest movements.$2fast$0(OCoLC)fst01079826
650 7 $aGewaltloser Widerstand$2gnd
650 7 $aProtestbewegung$2gnd
650 17 $aProtestbewegingen.$2gtt
650 7 $aProtest movements.$2nli
650 7 $aOccupy movement.$2nli
650 7 $aArab Spring, 2010-$2nli
650 7 $aArabiska våren 2010-$2sao
650 7 $aProteströrelser.$2sao
650 7 $aCivil olydnad.$2sao
647 7 $aArab Spring$d(2010-)$2fast$0(OCoLC)fst01896290
648 7 $a2010$2fast
700 1 $aHarcourt, Bernard E.,$d1963-
700 1 $aTaussig, Michael T.
830 0 $aTrios (Chicago, Ill.)
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