MARC record from Internet Archive

LEADER: 03308cam 2200433Ja 4500
001 ocm44075839
003 OCoLC
005 20181124023803.0
008 000511s2000 cauab 001 0 eng
010 $a 00034363
040 $aDLC$beng$cDLC$dOCL$dC#P$dBTCTA$dBAKER$dYDXCP$dOCLCG$dMBB$dOCLCF$dOCLCQ$dI8M$dOCLCA$dOCLCQ$dCAD
020 $a0937404853
020 $a9780937404850
035 $a(OCoLC)44075839
042 $apcc
050 00 $aTR899$b.R83 2000
082 00 $a778.5/235$221
100 1 $aRubin, Michael,$d1963-
245 10 $aNonlinear :$ba field guide to digital video and film editing /$cby Michael Rubin.
250 $a4th ed. /$brev. with Ron Diamond.
260 $aSanta Cruz, Calif. :$bPlayground Productions ;$aGainesville, Fla. :$bTriad Pub.,$c2000.
300 $axvi, 413 pages :$billustrations, map ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
505 0 $a1. First things. What is linear editing ; Buzzwords -- 2. Background. Novice's introduction to production ; The film story ; The video story ; History and moving pictures ; A brief history of electronic editing -- 3. Fundamentals. Online and offline ; Timecode ; Types of timecode (VITC, LTC, and beyond) ; The EDL ; Film edge numbers ; Telecine and 3:2 pulldown ; Cutting film using videotape ; Telecine logs ; Component and composite video ; Color space, gamuts, and kitchen sink ; Cabling ; The digital world ; Digital video ; Compression; RAID technology ; Digital media characteristics ; Bandwidth ; Pixels ; Aspect ratio basics ; Light and color ; Typography -- 4. Editing primitives. What is editing primitive: ; Editing time ; Editing flowcharts ; Computers ; File system organization ; Nomenclature (reels, scenes, takes) ; Primitives of editing ; 3- and 4-point edits ; Synchronization ; Effects ; Editing ergonomics ; Monitors and windows ; Timelines ; Fundamental edits ; Digitizing and capturing ; Videotape assemblies ; Printouts -- 5. Distribution. A brief review of broadcasting ; The economics of revolution ; Why shows cut film (standards conversion and HDTV) ; Brief history of HDTV ; Video on the web ; DVD ; Video-to-film transfers ; Electronic cinema -- 6. Systems. Types of editing systems ; Turnkey systems ; System interface historical overviews ; The best system -- 7. The real world. Practical editing methods ; Deconstructing production ; Pricing ; Telecine trouble ; Color bars and monitor adjustment ; Demo reels ; Editor's bag of tricks -- 8. Theory. Horizontal and vertical nonlinearity ; Interview with the author -- Appendices. Film footages ; Binary counting ; First decade of nonlinear cinema ; Acronyms and abbreviations.
650 0 $aMotion pictures$xEditing.
650 0 $aVideo tapes$xEditing.
650 7 $aMotion pictures$xEditing.$2fast$0(OCoLC)fst01027319
650 7 $aVideo tapes$xEditing.$2fast$0(OCoLC)fst01166542
700 1 $aDiamond, Ron.
938 $aBaker & Taylor$bBKTY$c39.95$d39.95$i0937404853$n0003537506$sactive
938 $aBaker and Taylor$bBTCP$n00034363
938 $aYBP Library Services$bYANK$n1781807
029 1 $aAU@$b000021536293
029 1 $aNZ1$b5675187
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 92 OTHER HOLDINGS