MARC record from Internet Archive

LEADER: 04033cam 2200625Ia 4500
001 ocm09143857
003 OCoLC
005 20200706180848.0
008 830119s1982 enkaf b 000 0 eng d
040 $aUIU$beng$cUIU$dVET$dXBM$dOCLCQ$dMUQ$dUW1$dYDXCP$dAU@$dDEBBG$dOCLCQ$dNLE$dOCLCQ$dOCLCO$dGYG$dYT1$dOCLCF$dOCLCO$dPIFSG$dOCLCO$dVGM$dOCLCO$dEZ9$dCSA$dOCLCO$dNMC$dOCLCO$dGILDS$dOCLCO$dSNN$dOCLCO$dBGU$dOCLCO$dCPS$dOCLCO$dUKUOY$dOCLCO$dNZ1$dOCLCQ$dYBM$dOCLCA
015 $aGB8308166$2bnb
019 $a877291497$a982680088
020 $a0285649663
020 $a9780285649668
020 $a0285649612$q(pbk.)
020 $a9780285649613$q(pbk.)
035 $a(OCoLC)9143857$z(OCoLC)877291497$z(OCoLC)982680088
050 4 $aGV1799.2$b.L49 1982
060 4 $aQT 255 L663 1982
082 04 $a615.8/5155/0880816$219
082 04 $a793.3$bL577n$219
084 $a5,3$2ssgn
100 1 $aLevete, Gina.
245 10 $aNo handicap to dance :$bcreative improvisation for people with and without disabilities /$cGina Levete.
260 $aLondon :$bSouvenir Press (E & A),$c1982.
300 $a140, [2] pages, 16 unnumbered pages of plates :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aHuman horizons series
500 $a"A Condor book."
504 $aIncludes bibliographical references (page 141).
505 0 $aThe beginning -- Practical guide to creative movement workshops -- The formation of shape.
520 $a"And what do you hope to achieve?" asked the consultant at Roehampton Hospital when Gina Levete proposed that she give weekly classes in creative movement to his young thalidomide and spina bifida patients. "Fun," she replied. Fun, and the emotional release that it brings, are what Gina believes to be lacking in the lives of those cut off from social communication by the restrictions of physical disability, mental handicap or imprisonment. Everyone, she says, is born with a sense of rhythm and responds naturally to music and movement, and in years of dedicated hard work she has proved her point. No Handicap to Dance describes how teachers of dance can use creative improvisation, mime and dance with different groups of handicapped people. Method classes and workshops are outlined in detail, with advice on special techniques for those with severe physical or mental disabilities. Gina holds her classes for able and disabled students alike; the fact that some of them may have only limited mobility does not prevent them from expressing themselves in some way, even if they can only nod their heads or tap their feet. Gina's first small efforts have now grown into a wide-ranging organisation called Shape, with branches throughout Britain and Europe, working to bring artists of all disciplines into a network serving disadvantaged people and helping them to share the enjoyment of participation in many creative activities. From initial scepticism, institutions have come to recognize the visible benefits that creative expression can bring to people whose lives are often without beauty or freedom. -- from back cover.
650 0 $aDance for people with disabilities$xStudy and teaching.
650 6 $aThérapeutique par la danse.
650 7 $aDance therapy.$2fast$0(OCoLC)fst00887574
650 7 $aBehinderung$2gnd
650 7 $aKind$2gnd
650 7 $aKindertanz$2gnd
650 2 $aDancing.
650 2 $aDisabled Persons.
776 08 $iOnline version:$aLevete, Gina.$tNo handicap to dance.$dLondon : Souvenir Press (E & A), 1982$w(OCoLC)1115013202
830 0 $aHuman horizons series.
938 $aYBP Library Services$bYANK$n156916
029 1 $aAU@$b000002485346
029 1 $aAU@$b000023857215
029 1 $aDEBBG$bBV009153279
029 1 $aNZ1$b285868
029 1 $aNZ1$b5057695
029 1 $aUKBRU$b121352
029 1 $aUKSOM$b05461600X
029 1 $aUNITY$b05461600X
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 318 OTHER HOLDINGS