MARC record from Internet Archive

LEADER: 05445cam 2200745Ma 4500
001 ocn857070940
003 OCoLC
005 20220804043923.0
008 100608s2013 enk ob 001 0 eng d
006 m o d
007 cr cn|||||||||
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019 $a854977425
020 $a9781842434475$q(electronic bk.)
020 $a1842434470$q(electronic bk.)
020 $a9781842434468$q(electronic bk.)
020 $a1842434462$q(electronic bk.)
020 $z1842432540$q(pbk.)
020 $z9781842432549
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050 4 $aPN1995$b.M37 2013eb
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082 04 $a791.4375$223
100 1 $aMartin, Sean,$d1966-$eauthor.
245 10 $aNew waves in cinema /$cSean Martin.
260 $aHarpenden :$bKamera Books,$c2013.
300 $a1 online resource (320 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
520 $aThe term New Wave conjures up images of Paris in the early 1960s from the films of French filmmakers Jean-Luc Godard and François Truffaut. The impact of the French New Wave continues to be felt, and its ethos of shooting in real places with nonprofessional actors and small crews would influence filmmakers as diverse as John Cassavetes, Martin Scorsese, and Lars von Trier's Dogme 95 movement, all of whom sought to challenge the dominance of traditional Hollywood methods of both filmmaking and storytelling. But the French were not the only new wave, and they were not even the first. Sean Martin explores the history of the many New Waves that have appeared throughout film history, including their great forebears the German Expressionists, the Soviet Formalists, and the Italian Neorealists. In addition, Martin looks at the movements traditionally seen as the French New Wave's contemporaries and heirs, such as the Czech New Wave, the British New Wave, the New German Cinema, the Hollywood Movie Brats, and Brazilian Cinema Novo. The book also covers other new waves, such as those of Greece, Hungary, documentary (Cinema Verité and Direct Cinema), animation, avant-garde, and the so-called No Wave filmmakers. Extensive bibliography, and filmography are included.
505 0 $aFront Cover; Title Page; Copyright Page; Epigraph; Acknowledgements; Contents; Introduction: Old Guards, New Waves; 1. Pioneers; 2. Against a Certain Tendency: The French New Wave; 3. Everything is Capsizing: 60s Italian Cinema; 4. The Significance of the Everyday: The British New Wave; 5. Sick and Tired of Bad Films: The Czech New Wave; 6. In the Shadow of Dubious Theories: The Other Europe; 7. Cinemas of Truths: New Waves in Documentary; 8. Films the Colour of Blood: The New Hollywood; 9. New Forms of Freedom: The New German Cinema; Epilogue: Dogme, Digital and the Death of New Waves.
505 8 $aSuggestions for Further ViewingSelect Bibliography; Notes; Index.
650 0 $aNew wave films$xHistory and criticism.
650 0 $aMotion pictures$xHistory.
650 6 $aNouvelle Vague (Cinéma)$xHistoire et critique.
650 6 $aCinéma$xHistoire.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xHistory & Criticism.$2bisacsh
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aNew wave films.$2fast$0(OCoLC)fst01036943
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aMartin, Sean, 1966-$tNew waves in cinema.$dHarpenden, Herts : Kamera Books, 2013$z9781842432549$w(OCoLC)854498906
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