MARC record from Internet Archive

LEADER: 03990cam 2200709 a 4500
001 ocm36916491
003 OCoLC
005 20210113183337.0
008 970512s1997 nyuag b 001 0 eng
010 $a 97019847
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035 $a(OCoLC)36916491$z(OCoLC)154706611
050 00 $aML3845$b.L47 1997
082 00 $a781.1/7$221
084 $a24.44$2bcl
100 1 $aLevinson, Jerrold.
245 10 $aMusic in the moment /$cJerrold Levinson.
260 $aIthaca, N.Y. :$bCornell University Press,$c1997.
300 $axii, 184 pages :$bmusic ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCornell paperbacks
504 $aIncludes bibliographical references (pages 176-179) and index.
505 0 $aEdmund Gurney and the experience of music -- Statement and elaboration of concatenationism -- Initial defense of concatenationism -- Concatenationism and causality -- Large-scale relationships in music -- Sonata and other forms -- Further challenges I -- Further challenges II -- Concatenationism, musical value, and musical form.
520 1 $a"What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues, basic understanding of music requires nothing more than properly grounded, present-focused attention; and virtually everything in the comprehension of extended pieces of music that suggests explicit architectonic awareness can be explained without the need to posit a conscious grasp of relationships across broad spans."--Jacket.
520 8 $a"Levinson rejects the notion that keeping music's large-scale form before the mind is somehow essential to fundamental understanding of it. As evidence, he describes in detail the experience of listening to a wide range of music. He defends, with some qualifications, the views of the nineteenth-century musician and psychologist Edmund Gurney, author of The Power of Sound, who argued that musical comprehension requires only attention to the evolution of music from moment to moment."--Jacket.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aMusical perception.
650 0 $aMusic$xPsychological aspects.
650 6 $aMusique$xPhilosophie et esthétique.
650 6 $aPerception de la musique.
650 6 $aMusique$xAspect psychologique.
650 7 $aMusic$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01030408
650 7 $aMusic$xPsychological aspects.$2fast$0(OCoLC)fst01030418
650 7 $aMusical perception.$2fast$0(OCoLC)fst01030788
650 17 $aMuziek.$2gtt
650 17 $aEsthetische ervaring.$2gtt
650 7 $aMusic$xPhilosophy and aesthetics.$2nli
650 7 $aMusical perception.$2nli
650 7 $aMusic$xPsychological aspects.$2nli
830 0 $aCornell paperbacks.
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