MARC record from Internet Archive

LEADER: 06128cam 2200613 i 4500
001 ocm41256118
003 OCoLC
005 20200616234759.0
008 990420t19991999wau 000 p eng
010 $a 99006385
040 $aDLC$beng$erda$cDLC$dMUQ$dBAKER$dBTCTA$dYDXCP$dVJK$dBDX$dOCLCF$dOCLCQ$dOCLCO$dMNW$dOCLCQ$dGILDS$dOCLCA$dOSU
019 $a45901522
020 $a1556591330$q(pbk. ;$qalk. paper)
020 $a9781556591334$q(pbk. ;$qalk. paper)
035 $a(OCoLC)41256118$z(OCoLC)45901522
043 $an-us-vt$aa------
050 00 $aPS3552.U346$bM66 1999
082 00 $a811/.54$221
100 1 $aBudbill, David,$eauthor.
245 10 $aMoment to moment :$bpoems of a mountain recluse /$cby David Budbill.
264 1 $aPort Townsend, Washington :$bCopper Canyon Press,$c[1999]
264 4 $c©1999
300 $axvi, 121 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
505 00 $gPart one.$tHow he writes --$tWhat it is like to read the ancients --$tAlways in these ancient Chinese paintings --$tOn the road to Buddhahood --$gPart two.$tAfter thirty years --$tAnother kind of travel --$tQuiet and seldom seen --$tNorth is nowhere --$tA stillness, absolute, profound --$tHow --$tWhere I live --$tNothing much --$tWhen I came to Judevine Mountain --$tIn the ancient tradition --$tThe progress of ambition --$tLike the clouds --$tThe three goals --$tBathroom reading: After a poem by Han Shan --$gPart three.$tAfter reading Meng Chiao's "Seeing off Master Tan" --$tWhat would it be like? --$tWhich of them sees more clearly? --$tNo trail --$tVariation on a theme by another recluse who also thought about ambition and the self --$tAlone and lonely --$tThree decades --$tThe story of Chi Mu Chian --$tAnother lie --$tAs in Ryokan's brushwork --$tYou false masters of serenity --$tThe music of my own kind too --$tFor Wang Wei --$tHome --$tAn unassuming grandeur --$tWhen I get depressed --$tMy fifty-eighth birthday I write two poems: first one: what keeps me here? --$tSecond one: I am still here because for example --$tThe story of Yu-ling --$tLi Po and Wang Wei --$tBe glad --$tHow and why you should be circumspect about your inner life --$tDilemma --$tSo says Wang Wei --$tHow it is --$tWhat's the difference? --$tBugs in a bowl --$tSuch self-indulgence and sloth! --$tRyōkan was a beggar.
505 00 $gPart four.$tAfter Li Yi --$tMy face --$tMy old woman --$tAfter reading a poem from The Book of Songs --$tLetter to Ni Tsan --$tAfter Ryōkan's poem called "White hair" --$tThe cycle of the seasons --$tAll of us --$gPart five.$tTrying to be who I already am --$tMy fate is to rebel --$tFlawed verse: after a poem by Han Shan --$tAn age of academic mandarins --$tNote to myself --$tWhich? --$tPao Chao and now --$tTeapots as visions of how poetry and the world might be --$tPart six.$tThe sixth of January --$tSnowshoes on Judevine Mountain --$tLaid up in bed --$tWhat happened today: the twentieth of January --$tHaiku and Tanka for Shrike --$tThe first green of Spring --$tAfter a walk on a gray, drizzling, cold Spring morning: the thirtieth of April --$tWhat I did today: the sixth of May --$tDuring the warblers' spring migration, while feeling sorry for myself for being stuck here, the dooryard birds save me from my melancholy --$tThe end of winter --$tAfter reading Ou-yang Hsiu's poem called "Spring Walk" to the pavilion of good crops and peace" --$tWhat good does it do? --$tAll summer --$tAhimsa next time maybe, or the Taoist Mountain recluse stands in his summer garden and says to the deerfly about to bite him --$tThe young woodchuck --$tTo a friend --$tOld red beard, my friend --$tOld poet refuses to leave home --$tOne summer afternoon many years ago while visiting my friend Joel, who is dead now, at his house which we called the depressive poet's rehabilitation center, I wrote this poem --$tAfter Labor Day --$tHarmonizing with Tu Fu's "Written on the Wall at Chang's Hermitage" --$tAutumn and crickets --$tFor owl wing --$tAfter reading Po Chü-i's "drunk, facing crimson leaves" --$tStillness, o stillness --$tMelancholy thoughts --$tAll the raucous birds of summer --$tCalling for Po Chü-i --$tIn Ryōkan's company --$tSmall song of praise at Christmastime for chickadee --$gPart seven.$tA winter night --$tWho I love --$tQuoting T'ao Ch'ien --$tOn hearing that these poems would be published in a book --$tWhat Issa heard.
520 $aAlternating between the loveable irrascibility and self-mocking humor reminiscent of the poet Cold Mountain (Han Shan), Budbill's poems view the modern world from the viewpoint of a New England hermit-scholar. Remarkable for their generous spirit, accessibility and biting criticism, these poems present a poet of strong mind and voice.
650 0 $aMountain life$vPoetry.
651 0 $aAsia$xCivilization$vPoetry.
650 0 $aZen poetry, American.
651 0 $aVermont$vPoetry.
650 6 $aVie en montagne$vPoésie.
650 6 $aPoésie zen américaine.
651 6 $aAsie$xCivilisation$vPoésie.
651 6 $aVermont$vPoésie.
650 7 $aCivilization.$2fast$0(OCoLC)fst00862898
650 7 $aMountain life.$2fast$0(OCoLC)fst01028269
650 7 $aZen poetry, American.$2fast$0(OCoLC)fst01184232
651 7 $aAsia.$2fast$0(OCoLC)fst01240495
651 7 $aVermont.$2fast$0(OCoLC)fst01204305
655 7 $aPoetry.$2fast$0(OCoLC)fst01423828
655 7 $aPoetry.$2lcgft
776 08 $iOnline version:$aBudbill, David.$tMoment to moment.$dPort Townsend, Wash. : Copper Canyon Press, ©1999$w(OCoLC)607440861
776 08 $iOnline version:$aBudbill, David.$tMoment to moment.$dPort Townsend, Wash. : Copper Canyon Press, ©1999$w(OCoLC)607635864
938 $aBaker & Taylor$bBKTY$c14.00$d10.50$i1556591330$n0003316830$sactive
938 $aBrodart$bBROD$n54467527$c$14.00
938 $aBaker and Taylor$bBTCP$n99006385
938 $aYBP Library Services$bYANK$n1585149
029 1 $aAU@$b000020035357
029 1 $aYDXCP$b1585149
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 317 OTHER HOLDINGS