MARC record from Internet Archive

LEADER: 04503cam 2200649Ma 4500
001 ocm44955647
003 OCoLC
005 20180317071102.0
008 000807s1995 flu ob 001 0 eng d
006 m o d
007 cr cn|||||||||
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019 $a532293795$a961677337$a962714010
020 $a0585097488$q(electronic bk.)
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020 $a0813019400$q(University Press of Florida ;$qelectronic bk.)
020 $a9780813019406$q(University Press of Florida ;$qelectronic bk.)
020 $z0813013623
035 $a(OCoLC)44955647$z(OCoLC)532293795$z(OCoLC)961677337$z(OCoLC)962714010
043 $an-us---
050 4 $aPS310.M57$bD67 1995eb
072 7 $aLIT$x014000$2bisacsh
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100 1 $aDoreski, William.
245 14 $aThe modern voice in American poetry /$cWilliam Doreski.
260 $aGainesville :$bUniversity Press of Florida,$c℗♭1995.
300 $a1 online resource (xviii, 179 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 168-173) and index.
520 $aProposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and interiority (imagination) and exteriority (landscape). Doreski examines the work of well-known poets - concentrating on Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, T.S. Eliot, Ezra Pound, and Robert Lowell, but also including Alan Dugan, Robert Pinsky, John Ashbery, and Louise Gluck - from a fresh angle, often focusing on less-discussed poems (such as Eliot's "Portrait of a Lady"). Modernist poets experienced a vast shift in the relationship between poetry and society. Two principal themes underlie Doreski's criticism of their work: first, that they turned to drama, prose fiction, and extraliterary sources to expand the rhetorical range of their poetics; second, that their poetry demonstrates their conflict between a responsibility to history, tradition, or society and their desire to generate a world of their own making.
505 0 $aFrost: lyric monologue and landscape -- Stevens: allegorical landscape and myth -- Williams and Moore: history and the colloquial style -- Eliot and Pound: political discourse and the voicing of difference -- Lowell: autobiography and vulnerability -- Epilogue: meditation and impersonality in contemporary poetry.
588 0 $aPrint version record.
650 0 $aAmerican poetry$y20th century$xHistory and criticism.
650 0 $aModernism (Literature)$zUnited States.
650 7 $aLITERARY CRITICISM$xPoetry.$2bisacsh
650 7 $aAmerican poetry.$2fast$0(OCoLC)fst00807348
650 7 $aModernism (Literature)$2fast$0(OCoLC)fst01024455
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aElectronic books.$2local
776 08 $iPrint version:$aDoreski, William.$tModern voice in American poetry.$dGainesville : University Press of Florida, ℗♭1995$z0813013623$w(DLC) 94048343$w(OCoLC)31783385
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856 40 $zClick for electronic text$uhttp://uiwtx.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=20724
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948 $hNO HOLDINGS IN PMR - 1790 OTHER HOLDINGS