MARC record from Internet Archive

LEADER: 04183cam 2200613Ia 4500
001 ocm70208539
003 OCoLC
005 20200114010904.0
008 060629s2006 flua bc 000 0 eng d
010 $a 2005937027
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035 $a(OCoLC)70208539
043 $an-us---
050 14 $aND210.5.I4$bM37 2006
245 00 $aMasters of light :$bselections of American Impressionism from the Manoogian Collection /$cexhibition organized by Jennifer A. Bailey and Lucinda H. Gedeon ; essay by Kevin Sharp.
260 $aVero Beach, Fla. :$bVero Beach Museum of Art ;$aSeattle, Wash. :$bDistributed by the University of Washington Press,$c2006.
300 $a136 pages :$bcolor illustrations ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of the exhibition held Jan. 30-April 23, 2006 at the Vero Beach Museum of Art, Vero Beach, Florida.
504 $aIncludes bibliographical references (pages 131-136).
520 1 $a"Americans were introduced to Impressionism by the French in the 1880s. They explored its expressive potential and debated its merits in the 1890s, and by the turn of the twentieth century, American painters had seized the style for their own. Masters of Light: Selections of American Impressionism from the Manoogian Collection accompanies an exhibition of the same name organized by Jennifer A. Bailey and Lucinda H. Gedeon for the Vero Beach Museum of Art. Included are thirty examples of American Impressionist painting by the seminal artists who redefined the movement for American audiences, including Frank W. Benson, Mary Cassatt, William Merritt Chase, Childe Hassam, Williard Leroy Metcalf, Theodore Robinson, John Singer Sargent, John Henry Twachtman, and others." "Featuring contributions by some of the clearest voices and leading authorities on American Impressionism, Masters of Light brings into the spotlight brilliant and rarely seen paintings while illuminating their place in the larger currents of American art history. An essay by Kevin Sharp, "The Americanization of Impressionism," examines the unintentional circumstances and deliberate efforts that transformed Impressionism from an expression of the French vanguard into an international style, and eventually, into a peculiarly American enterprise."--Jacket.
600 10 $aManoogian, Richard A.$xArt collections$vExhibitions.
650 0 $aImpressionism (Art)$zUnited States$vExhibitions.
650 0 $aPainting, American$y19th century$vExhibitions.
650 0 $aPainting, American$y20th century$vExhibitions.
600 17 $aManoogian, Richard A.$2fast$0(OCoLC)fst00246833
650 7 $aArt$xPrivate collections.$2fast$0(OCoLC)fst00815314
650 7 $aImpressionism (Art)$2fast$0(OCoLC)fst00968249
650 7 $aPainting, American.$2fast$0(OCoLC)fst01050648
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1800-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aSharp, Kevin,$d1957-
700 1 $aBailey, Jennifer A.
700 1 $aGedeon, Lucinda H.
710 2 $aVero Beach Museum of Art.
776 08 $iOnline version:$tMasters of light.$dVero Beach, Fla. : Vero Beach Museum of Art ; Seattle, Wash. : Distributed by the University of Washington Press, 2006$w(OCoLC)607797418
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948 $hNO HOLDINGS IN P4A - 244 OTHER HOLDINGS