| Record ID | ia:masterprintsclos0000gold |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/masterprintsclos0000gold/masterprintsclos0000gold_marc.xml |
| Download MARC binary | https://www.archive.org/download/masterprintsclos0000gold/masterprintsclos0000gold_meta.mrc |
LEADER: 01023cam a2200277Ia 4500
001 9646906
005 20130318143648.0
008 120215s2012 enka 000 0 eng d
015 $aGBB217758$2bnb
016 7 $a016035157$2Uk
020 $a9780714126791 (pbk.)
020 $a0714126799 (pbk.)
035 $a(OCoLC)ocn778326798
035 $a(OCoLC)778326798
035 $a(NNC)9646906
040 $aUKMGB$cUKMGB$dYDXCP$dBWK$dYNK$dERASA$dCDX$dOCLCO$dNDD$dSTF
050 4 $aNE850$b.G653 2012
082 04 $a769$223
100 1 $aGoldman, Paul.
245 10 $aMaster prints close-up /$cPaul Goldman.
260 $aLondon :$bBritish Museum,$c2012.
300 $a112 p. :$bcol. ill. ;$c23 cm.
520 8 $aIs a work of art still a work of art if it exists in several hundred identical examples? This introduction to masterpieces of printmaking reveals why prints can be considered to be every bit as original as any other visual art form.
650 0 $aPrints.
650 0 $aPrints$xTechnique.
852 00 $bfaxlc$hNE850$i.G653 2012g