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MARC record from Internet Archive

LEADER: 04617cam 2200829 a 4500
001 ocn741691234
003 OCoLC
005 20220730035918.0
008 110719s1985 nju ob 001 0 eng d
006 m o d
007 cr cnu---unuuu
040 $aN$T$beng$epn$cN$T$dEBLCP$dE7B$dOCLCQ$dOCLCO$dOCLCF$dOCLCO$dOCLCA$dOCLCQ$dOCLCO$dOCLCQ$dOCL$dYDXCP$dOCLCO$dOCLCQ$dOCLCO$dOCL$dOCLCO$dOCLCQ$dINARC$dUKMGB$dOCLCQ$dOCLCO
015 $aGBB988432$2bnb
016 7 $a019392038$2Uk
019 $a893335934
020 $a9780567199546$q(electronic bk.)
020 $a0567199541$q(electronic bk.)
020 $z0391031945
020 $z9780391031944
020 $z0485112566
020 $z9780485112566
035 $a(OCoLC)741691234$z(OCoLC)893335934
037 $a9780567199546$bcodeMantra
043 $ae-uk---
050 4 $aPR2981.5$b.W5 1985eb
072 7 $aLIT$x015000$2bisacsh
072 7 $aDRA$x010000$2bisacsh
082 04 $a822.3/3$222
100 1 $aWhite, R. S.,$d1948-
245 10 $aLet wonder seem familiar :$bendings in Shakespeare's romance vision /$cR.S. White.
260 $aNew Jersey :$bHumanities Press ;$aLondon :$bAthlone Press,$c1985.
300 $a1 online resource (203 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 185-200) and index.
588 0 $aPrint version record.
505 0 $aPreface; I: The sense of an ending in Elizabethan romance; II: The sense of an ending in early Elizabethan romantic comedy; III: Shakespeare''s mature romantic comedies; IV: The ""problem"" comedies; V: Romance in the tragedies; VI: Shakespeare''s romances; Pericles; Cymbeline; The Winter''s Tale; VII: The Tempest; Conclusion; Appendix: Elizabethan romance and stage comedy -- historical survey; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; W; X; Y.
520 $aDr White examines the ways in which Shakespeare uses formal conventions from romance throughout his writing career, especially in giving formal completion to a play without forfeiting the ''open-ended'' sense of life''s complexity. In his romantic comedies these conventions are modified to imply that the cosy womb of marriage is not the end of lovers'' lives; in the ''problem'' comedies they are used to challenge the artifice of the comic ending; in some tragedies they are used to provide an ideal of fulfilment which has been destroyed by the tragic events - and in the last plays or ''romances.
600 10 $aShakespeare, William,$d1564-1616$xTragicomedies.
650 0 $aRomances$xHistory and criticism.
650 0 $aTragicomedy$xHistory and criticism.
650 0 $aClosure (Rhetoric)
650 6 $aRoman courtois$xHistoire et critique.
650 6 $aTragicomédie$xHistoire et critique.
650 6 $aConclusion (Littérature)
650 7 $aLITERARY CRITICISM$xShakespeare.$2bisacsh
650 7 $aDRAMA$xShakespeare.$2bisacsh
600 17 $aShakespeare, William,$d1564-1616$2fast$0(OCoLC)fst00029048
650 7 $aClosure (Rhetoric)$2fast$0(OCoLC)fst00864659
650 7 $aRomances.$2fast$0(OCoLC)fst01099892
650 7 $aTragicomedy.$2fast$0(OCoLC)fst01154374
650 17 $aEngels.$2gtt
653 $aDrama in English$aShakespeare, William$aEndings$aInfluence of European romances, to 1600 - Critical studies
655 4 $aElectronic books.
655 7 $aTragicomedies.$2fast$0(OCoLC)fst01922573
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aWhite, R.S., 1948-$tLet wonder seem familiar.$dNew Jersey : Humanities Press ; London : Athlone Press, 1985$z0391031945$w(DLC) 84015812$w(OCoLC)11044193
856 40 $3ebrary$uhttp://site.ebrary.com/id/10489963
856 40 $3EBSCOhost$uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=378250
856 40 $3Internet Archive$uhttps://archive.org/details/letwonderseemfam00whit
856 40 $3Open Library$uhttps://openlibrary.org/books/OL26281867M
856 40 $3ProQuest Ebook Central$uhttps://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=743262
938 $aProQuest Ebook Central$bEBLB$nEBL743262
938 $aebrary$bEBRY$nebr10489963
938 $aEBSCOhost$bEBSC$n378250
938 $aInternet Archive$bINAR$nletwonderseemfam00whit
938 $aYBP Library Services$bYANK$n7033099
029 1 $aDEBSZ$b421571608
029 1 $aUKMGB$b019392038
994 $aZ0$bIME
948 $hNO HOLDINGS IN IME - 482 OTHER HOLDINGS