MARC record from Internet Archive

LEADER: 04412cam 2200589 i 4500
001 ocn907651740
003 OCoLC
005 20201221125038.0
008 150114s2016 cau 000 0 eng
010 $a 2015930905
040 $aDLC$beng$erda$cDLC$dYDXCP$dBTCTA$dBDX$dGCB$dVP@$dAZT$dOCLCF$dCUY$dTOH$dNZAUC$dOCL$dOCLCQ$dRB0$dOCLCO$dOCL$dOCLCA$dIBZ$dUKMGB$dZLF$dOCLCO$dORU$dCQA$dOCLCO
015 $aGBB5F9251$2bnb
016 7 $a017604024$2Uk
019 $a942556867
020 $a9781629631226$q(hardcover ;$qalk. paper)
020 $a1629631221$q(hardcover ;$qalk. paper)
020 $z9781629632131 (ePub ebook)
020 $z9781629632148 (Mobipocket ebook)
020 $z9781629632155 (PDF ebook)
035 $a(OCoLC)907651740$z(OCoLC)942556867
042 $apcc
050 00 $aPS3562.E42$bA6 2016
082 00 $a811/.54$223
100 1 $aLe Guin, Ursula K.,$d1929-2018,$eauthor.
240 10 $aPoems.$kSelections
245 10 $aLate in the day :$bpoems, 2010-2014 /$cby Ursula K. Le Guin.
264 1 $aOakland, CA :$bPM Press,$c[2016]
300 $aix, 86 pages ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes foreword, a talk given at the conference "Anthropocene: Arts of Living on a Damaged Planet" at UC Santa Cruz, May 2014, and postscript, a speech in acceptance of the National Book Foundation Medal for Distinguished Contribution to American Letters, November 2014.
505 0 $aForeword. Deep in admiration -- Relations. The small Indian pestle at the Applegate House -- Incense -- Kitchen spoons -- Earthenware -- Kinship -- Western outlaws -- The Canada Lynx -- The one thing missing -- Contemplations. In Ashland -- My house -- Contemplation at McCoy Creek -- Constellating -- Hymn to time -- Whiteness -- Geology of the northwest coast -- Hymn to Aphrodite -- Messengers. Element 80 -- The story -- Arion -- Messages -- The dream stone -- Hermes betrayed -- Four lines. The salt -- March -- Harney County catenaries -- Artemisia Tridentata -- Ecola -- Written in the dark -- Song -- Night sounds -- Works. Orders -- The games -- To her task-master -- Definition, or, seeing the horse -- Dead languages -- California landscape paintings at the Portland Art Museum -- My job -- Times. New Year's Day -- Seasonal lines -- October -- Sea Hallowe'en -- Between -- Writing twilight -- The old music. The old music -- Disremembering -- Crossing the Cascades -- Sorrowsong -- The old mad queen -- The pursuit -- 2014 : a hymn -- Envoi. The mist horse -- Afterword. Form, free verse, free form : some thoughts -- Postscript.
520 $aThere is no writer with an imagination as forceful and delicate as Ursula K. Le Guin's. --Grace Paley Late in the Day, Ursula K. Le Guin's new collection of poems (2010-2014) seeks meaning in an ever-connected world. In part evocative of Neruda's Odes to Common Things and Mary Oliver's poetic guides to the natural world, Le Guin's latest give voice to objects that may not speak a human language but communicate with us nevertheless through and about the seasonal rhythms of the earth, the minute and the vast, the ordinary and the mythological. As Le Guin herself states, science explicates, poetry implicates. Accordingly, this immersive, tender collection implicates us (in the best sense) in a subjectivity of everyday objects and occurrences. Deceptively simple in form, the poems stand as an invitation both to dive deep and to step outside of ourselves and our common narratives. The poems are bookended with two short essays, Deep in Admiration and Some Thoughts on Form, Free Form, Free Verse.
650 0 $aAmerican poetry$y21st century.
650 0 $aWomen poets$y21st century.
650 7 $aAmerican poetry.$2fast$0(OCoLC)fst00807348
650 7 $aWomen poets.$2fast$0(OCoLC)fst01178321
648 7 $a2000-2099$2fast
655 7 $aPoetry.$2lcgft
655 7 $aPoetry.$2fast$0(OCoLC)fst01423828
776 08 $iebook version :$z9781629632131
938 $aBrodart$bBROD$n112541917
938 $aBaker and Taylor$bBTCP$nBK0016963363
938 $aYBP Library Services$bYANK$n12381901
029 1 $aAU@$b000056822427
029 1 $aCHBIS$b010589720
029 1 $aCHVBK$b357684605
029 1 $aNZ1$b16291426
029 1 $aUKMGB$b017604024
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 124 OTHER HOLDINGS