MARC record from Internet Archive

LEADER: 05878cam 2200793Ma 4500
001 ocn787845186
003 OCoLC
005 20220722032609.0
008 120331s2012 enkac ob 001 0deng d
006 m o d
007 cr cn|||||||||
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020 $a9781861899934$q(electronic bk.)
020 $a1861899939$q(electronic bk.)
020 $z9781861898203
020 $z1861898207$q(paper)
020 $a1280493860
020 $a9781280493867
020 $a9786613589095
020 $a6613589098
035 $a(OCoLC)787845186$z(OCoLC)775302640$z(OCoLC)961565010$z(OCoLC)962675606$z(OCoLC)964653414$z(OCoLC)966107817$z(OCoLC)988529505$z(OCoLC)988531809$z(OCoLC)992105421$z(OCoLC)1037797301$z(OCoLC)1038700989$z(OCoLC)1055320541$z(OCoLC)1081187249$z(OCoLC)1083610549$z(OCoLC)1153534441$z(OCoLC)1162523303$z(OCoLC)1228591256
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050 4 $aND673.E9$bH37 2012eb
072 7 $aART$x015000$2bisacsh
082 04 $a759.9493$222
100 1 $aHarbison, Craig.
245 10 $aJan van Eyck :$bthe play of realism /$cCraig Harbison.
250 $a2nd updated and expanded ed.
260 $aLondon :$bReaktion Books,$c2012.
300 $a1 online resource (317 pages) :$billustrations, portraits
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
504 $aIncludes bibliographical references and index.
505 00 $g1. Introduction --$g2.$tVan Eyck's Realism --$g3.$tThe Artist's Place at the Burgundian Court --$g4.$tAn Italian Courtier's Story --$g5.$tThe Ecclesiastical Compact of a Secular Canon --$g6.$tPrivate Devotion in a Schismatic Church --$g7.$tThe Function of Religious Belief for van Eyck --$g8.$tThe Doctrine of Mary --$g9.$tThe Sacrament of the Altar --$g10.$tThe Patrons of Domestic Religious Imagery --$g11.$tThe Confession of Chancellor Nicolas Rolin --$g12.$tPatronage by Burgundian Court Functionaries --$g13.$tLiterary Sources for van Eycks Art --$g14.$tPhysical Format and Verbal Inscription --$g15.$tA Litany to the Sacred Heart of Jesus --$g16.$tArchitectural Style and Sculptural Symbolism --$g17.$tVan Eyck's Modern Icon --$g18.$tThe Image and Experience of Pilgrimage --$g19.$tPretence and Scepticism in the Fifteenth Century --$g20.$tA Different Perspective in the Ghent Altarpiece --$g21.$tThe Interpretation of Early Netherlandish Painting --$gAfterword:$tJan van Eyck, Modern Painter --$gBibliographic Commentary --$gBibliography --$gAcknowledgements --$gList of Illustrations --$gIndex.
520 $aThe surviving work of Flemish painter Jan van Eyck (c. 1395-1441) consists of a series of painstakingly detailed oil paintings of astonishing verisimilitude. Most explanations of the meanings behind these paintings have been grounded in a disguised religious symbolism that critics have insisted is foremost. But in Jan van Eyck, Craig Harbison sets aside these explanations and turns instead to the neglected human dimension he finds clearly present in these works. Harbison investigates the personal histories of the true models and participants who sat for such masterpieces as the Virgin and Chil.
546 $aEnglish.
600 10 $aEyck, Jan van,$d1390-1440$xCriticism and interpretation.
650 0 $aRealism in art.
650 6 $aRéalisme (Art)
650 7 $arealism (artistic form of expression)$2aat
650 7 $aART$xHistory$xGeneral.$2bisacsh
600 17 $aEyck, Jan van,$d1390-1440$2fast$0(OCoLC)fst00016660
650 7 $aRealism in art.$2fast$0(OCoLC)fst01091231
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aHarbison, Craig.$tJan van Eyck.$b2nd updated and expanded ed.$dLondon : Reaktion Books, 2012$z9781861898203$w(OCoLC)751535052
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948 $hHELD BY IME - 555 OTHER HOLDINGS