MARC record from Internet Archive

LEADER: 03700cam 2200637Ii 4500
001 ocn856977375
003 OCoLC
005 20190417141931.0
008 130826s2014 nyua bq 000 0 eng d
040 $aYDXCP$beng$cYDXCP$dBTCTA$dBDX$dUKMGB$dYBM$dOCLCO$dOCLCQ$dIUL$dOCLCQ$dOCLCF$dUAB$dIAD$dOCL$dTTU$dOCLCQ$dOCL
016 7 $a016584789$2Uk
020 $a0847842576
020 $a9780847842575
035 $a(OCoLC)856977375
043 $an-us-ny
050 4 $aNX93.N374$bJ36 2014
050 14 $aNX547.6.N37$bA4 2014
082 04 $a709.2$223
100 1 $aNares, James.
245 10 $aJames Nares /$c[James Nares] ; [editor, Nikki Columbus] ; with contributions by Ed Halter, Glenn O'Brien, Amy Taubin, and Christopher Wool.
260 $aNew York :$bSkira Rizzoli,$c2014.
300 $a272 pages :$bchiefly illustrations (chiefly color) ;$c32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and filmography.
505 00 $tDepth of field --$tTime and motion --$tReduction --$tFigures and facts --$tX-ing out --$tMotion in things --$tBody of work.
520 $a"This long-awaited comprehensive monograph on James Nares brings together his paintings and films. Upon his arrival in New York in 1974, British-born James Nares became a central member of the city's vibrant No Wave art scene, making experimental Super 8 films, playing in downtown bands, and staging live performances. The following decade, he turned to painting, using handmade brushes to create monumental strokes that are almost three-dimensional in their detail and depth. Today, Nares continues to employ the mediums of film and paint to explore physicality, motion, and the unfolding of time, as seen in his 2011 video Street, exhibited to great acclaim at such institutions as the Metropolitan Museum of Art, New York. This definitive monograph, produced in close collaboration with the artist, surveys the entirety of Nares's career. Lushly illustrated, including paintings, photographs, and stills that have never before been published, the book features essays by leading film critic Amy Taubin, cultural writer Glenn O'Brien, and innovative film curator Ed Halter in addition to an illuminating conversation between Nares and longtime friend and fellow artist Christopher Wool."--Jacket.
600 10 $aNares, James$xCriticism and interpretation.
650 0 $aPainting, British$zNew York (State)$zNew York$y20th century.
650 0 $aPainting, British$zNew York (State)$zNew York$y21st century.
650 0 $aPainting, Abstract.
650 0 $aExpressionism (Art)
650 0 $aExperimental films.
650 0 $aVideo art.
600 17 $aNares, James.$2fast$0(OCoLC)fst00342719
650 7 $aExperimental films.$2fast$0(OCoLC)fst00918452
650 7 $aExpressionism (Art)$2fast$0(OCoLC)fst00918895
650 7 $aPainting, Abstract.$2fast$0(OCoLC)fst01050640
650 7 $aPainting, British.$2fast$0(OCoLC)fst01050703
650 7 $aVideo art.$2fast$0(OCoLC)fst01166389
651 7 $aNew York (State)$zNew York.$2fast$0(OCoLC)fst01204333
648 7 $a1900-2099$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aColumbus, Nikki.
700 1 $aHalter, Ed.
700 1 $aO'Brien, Glenn.
700 1 $aTaubin, Amy.
700 1 $aWool, Christopher.
938 $aBrodart$bBROD$n106924427
938 $aBaker and Taylor$bBTCP$nBK0013734663
938 $aYBP Library Services$bYANK$n11084411
029 1 $aNZ1$b15632464
029 1 $aAU@$b000055133702
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 114 OTHER HOLDINGS