MARC record from Internet Archive

LEADER: 03086cam 2200565 i 4500
001 ocn915171154
003 OCoLC
005 20210510200257.0
008 150119s2015 enk b 001 0 eng d
010 $a 2014481727
040 $aZCL$beng$erda$cDLC$dZCL$dCDX$dNZAUC$dUAB$dOCLCF$dYDXCP$dOCLCO$dOCL$dOCLCO$dOCLCQ$dNGRPY$dOCLCQ
020 $a9781472111906$q(hardback)
020 $a1472111907$q(hardback)
020 $a9781472119667$q(paperback)
020 $a1472119665$q(paperback)
020 $z9781472112002$q(ebook)
035 $a(OCoLC)915171154
042 $alccopycat
050 00 $aML3470$b.H52 2015
082 04 $a782.4/2163/09$223
100 1 $aHeylin, Clinton,$eauthor.
245 10 $aIt's one for the money :$bthe song snatchers who carved up a century of pop & sparked a musical revolution /$cClinton Heylin.
246 30 $aSong snatchers who carved up a century of pop & sparked a musical revolution
264 1 $aLondon :$bConstable,$c2015.
300 $axviii, 461 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"Song publishing is the one constant in the carousel of recorded music now spanning the past century, and has been the way that song-credits and publishing revenue have caused ructions and recriminations, and inspired writers by making them poor and lawyers rich. Whether it be Procul Harum going to court to decide who really wrote 'Whiter Shade of Pale' or the Moody Blues wanting their fair share of 'Nights of White Satin', when the song-credits get divvied up, a parting of the ways citing 'musical differences' is almost inevitable. So here are some choice examples of poplore held up to the light, some familiar to music fans others not, designed to prove that Dylan knew of what he wrote when he suggested, 'Money doesn't talk, it swears'. Between them, they provide the unvarnished story of popular song from the days jukeboxes and radio replaced wax cylinders and piano rolls to the era of digital downloads, legal and illegal ..."--Publisher's description.
650 0 $aPopular music$xHistory and criticism.
650 0 $aPopular music$xWriting and publishing.
650 0 $aCopyright$xMusic.
650 0 $aMusic trade.
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aCopyright$xMusic.$2fast$0(OCoLC)fst00878748
650 7 $aMusic trade.$2fast$0(OCoLC)fst01030641
650 7 $aPopular music$xWriting and publishing.$2fast$0(OCoLC)fst01071469
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
938 $aCoutts Information Services$bCOUT$n29810435
938 $aYBP Library Services$bYANK$n12087843
938 $aYBP Library Services$bYANK$n12087854
029 1 $aAU@$b000055449136
029 1 $aAU@$b000056743229
029 1 $aNZ1$b16015006
029 1 $aNZ1$b16031091
029 1 $aUKDEL$b135935342
029 1 $aUNITY$b135935342
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 70 OTHER HOLDINGS