| Record ID | ia:isbn_9780452011199 |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/isbn_9780452011199/isbn_9780452011199_marc.xml |
| Download MARC binary | https://www.archive.org/download/isbn_9780452011199/isbn_9780452011199_meta.mrc |
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001 ocm29797992
003 OCoLC
005 20160208193502.0
008 940124s1994 nyu 000 1 eng
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050 00 $aPS648.L47$bT86 1994
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245 00 $aTwo friends and other nineteenth-century lesbian stories by American women writers /$cedited and with an introduction by Susan Koppelman.
260 $aNew York :$bMeridian,$c℗♭1994.
300 $aviii, 242 pages ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
505 00 $tIntroduction --$tMy visitation /$rby Rose Terry --$tSince I died /$rby Elizabeth Stuart Phelps --$tFelipa /$rby Constance Fenimore Woolson --$tMy Lorelei /$rby Alice French (Octave Thanet) --$tMiss Grief /$rby Constance Fenimore Woolson --$tTwo friends /$rby Mary Eleanor Wilkins Freeman --$tThe long arm /$rby Mary Eleanor Wilkins Freeman --$tThe falling in love of Fedora /$rby Kate Chopin --$tThere and here /$rby Alice Brown --$tMartha's lady /$rby Sarah Orne Jewett --$tMax--$tor his picture /$rby Alice French (Octave Thanet) --$tA note on the text.
520 $aWomen playwrights of the Restoration and eighteenth century were bawdy and proper, apologetic and defiant, often derided and occasionally praised. The seven women represented in this groundbreaking anthology - the only collection of Restoration and eighteenth-century plays devoted exclusively to women - had but one thing in common: the desire to ignore convention and write for the stage.
520 8 $aIn 1660, when theatres in England reopened after years of Puritan repression, women trod the boards as actors for the very first time. By the end of the century they had stormed and breached another bastion of the male domain and become dramatists as well. Most available collections of plays from the period exclude them; traditional criticism overlooks or diminishes them. But their works, as seen here, hold their own against the most popular productions for the theater from 1678 to 1787, and do it with a distinctively female spirit.
520 8 $aEach of these English women, and the one American, Mercy Otis Warren, legitimized the profession of playwright for their sex. They were the genre's prolific women pioneers whose body of work has remained unmatched until the twentieth century.
650 0 $aLesbians$vFiction.
650 0 $aLesbians' writings, American.
650 0 $aErotic stories, American.
650 7 $aErotic stories, American.$2fast$0(OCoLC)fst00914962
650 7 $aLesbians.$2fast$0(OCoLC)fst00996540
650 7 $aLesbians' writings, American.$2fast$0(OCoLC)fst00996595
650 17 $aLesbische liefde.$2gtt
653 0 $aErotic stories, American
653 0 $aLesbians$aFiction
653 0 $aLesbians' writings, American
655 7 $aFiction.$2fast$0(OCoLC)fst01423787
700 1 $aKoppelman, Susan.
776 08 $iOnline version:$tTwo friends and other nineteenth-century lesbian stories by American women writers.$dNew York : Meridian, ℗♭1994$w(OCoLC)624408705
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780452011199.pdf
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