| Record ID | ia:isbn_2900500280491 |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/isbn_2900500280491/isbn_2900500280491_marc.xml |
| Download MARC binary | https://www.archive.org/download/isbn_2900500280491/isbn_2900500280491_meta.mrc |
LEADER: 04268cam 2200781 a 4500
001 ocm39651988
003 OCoLC
005 20200521092924.0
008 980320s1998 nyua b 001 0 eng d
010 $a 97061992
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020 $a0500018421$q(hardcover)
020 $a9780500018422$q(hardcover)
020 $a0500280495$q(paperback)
020 $a9780500280492$q(paperback)
035 $a(OCoLC)39651988$z(OCoLC)41580843$z(OCoLC)1006467148$z(OCoLC)1008030451
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043 $ae-fr---
050 04 $aN7625.5$b.G37 1998
080 $a753.2
082 00 $a704.9/42/094409034$221
084 $a20.70$2bcl
100 1 $aGarb, Tamar.
245 10 $aBodies of modernity :$bfigure and flesh in fin-de-siècle France /$cTamar Garb.
260 $aNew York :$bThames and Hudson,$c1998.
300 $a240 pages :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aInterplay : theory, arts, history
504 $aIncludes bibliographical references (pages 221-231) and index.
505 00 $gCh. 1.$tGustave Caillebotte's Male Figures: Masculinity, Muscularity and Modernity --$gCh. 2.$tModelling the Male Body: Physical Culture, Photography and the Classical Ideal --$gCh. 3.$tJames Tissot's 'Parisienne' and the Making of the Modern Woman --$gCh. 4.$tPowder and Paint: Framing the Feminine in Georges Seurat's Young Woman Powdering Herself --$gCh. 5.$tPainterly Plenitude: Pierre-Auguste Renoir's Fantasy of the Feminine --$gCh. 6.$tPaul Cezanne's The Eternal Feminine and the Erotics of Vision --$gCh. 7.$tCezanne's Late Bathers: Modernism and Sexual Difference.
520 $aBodies of Modernity offers a wealth of new insights into the representation of masculinity and femininity at a time when gender distinctions were strictly enforced. In late nineteenth-century France, men and women were believed to be polar opposites, and were required to express this in the clothes they wore, the poses they struck and the behaviour they exhibited.
520 8 $aTamar Garb investigates how these notions can be traced in the representation of men and women in the work of some of the most important painters of the period as well as in a range of other media, including photography, advertising and caricature.
650 0 $aHuman figure in art.
650 0 $aArt, French$y19th century.
650 2 $aHuman Body$xin art
650 2 $aPaintings$xhistory.
650 7 $a20.70 European art.$0(NL-LeOCL)077594983$2bcl
650 7 $aArt, French.$2fast$0(OCoLC)fst00816279
650 7 $aHuman figure in art.$2fast$0(OCoLC)fst01896063
650 17 $aBeeldende kunsten.$2gtt
650 17 $aLichamelijkheid.$2gtt
650 17 $aMannelijkheid.$2gtt
650 17 $aVrouwelijkheid.$2gtt
650 17 $aSekseverschillen.$2gtt
650 7 $aPintura$ySéculo 20$zFrança.$2larpcal
650 7 $aModernidade.$2larpcal
648 7 $a1800-1899$2fast
830 0 $aInterplay (New York, N.Y. : Thames and Hudson)
938 $aBaker & Taylor$bBKTY$c24.95$d18.71$i0500280495$n0003124662$sactive
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938 $aBaker and Taylor$bBTCP$n97061992
938 $aCoutts Information Services$bCOUT$n1760876
938 $aYBP Library Services$bYANK$n100115545
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994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 494 OTHER HOLDINGS