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LEADER: 02633cam 2200385Ia 4500
001 9922232830001661
005 20150423142906.0
008 101008s2011 cauad b 000 0 eng d
020 $a9781849350570 :$c$14.95
020 $a1849350574
035 $a(CSdNU)u479144-01national_inst
035 $a(OCoLC)669754828
035 $a(OCoLC)669754828
035 $a(OCoLC)669754828
040 $aBTCTA$beng$cBTCTA$dYDXCP$dGPI$dBWX$dDEBBG$dYOU$dCDX$dUMS$dBDX
043 $an-us---
049 $aCNUM
050 4 $aML3531$b.B355 2011
082 04 $a346.0482$223
084 $a9,2$2ssgn
100 1 $aBall, Jared A.
245 10 $aI mix what I like! :$ba mixtape manifesto /$cby Jared A. Ball.
260 $aOakland ;$aEdinburgh :$bAK Press,$c2011.
300 $a226 p. :$bill ;$c20 cm.
504 $aIncludes bibliographical references.
505 0 $aThe colonized rhythm nation -- Media as ideology, culture, and colonialism -- Education and conceptual boundaries -- Journalism and conceptual boundaries -- Revisiting the corporation and cultural industry -- The politics of popular culture -- Intellectual property, copyright, and the ownership of thought -- Payola and playlists -- Washington, D.C. : a case study in the colonizing function of radio -- National Public Radio as Fanon's Radio-Alger -- Managed outcomes -- The mixtapes and emancipatory journalism -- FreeMix Radio : the original mixtape radio show -- White liberalism and "progressive" journalism.
520 $aIn a moment of increasing corporate control in the music industry, where three major labels call the shots on which artists are heard and seen, Jared Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance. I mix what I like! is a revolutionary investigation of the cultural dimension of antiracist organizing in the Black community. Blending together elements from internal colonialism theory, cultural studies, apolitical science, and his own experience on the mic, Jared positions the so-called "hip-hop nation" as an extension of the internal colony that is modern African America, and suggests that the low-tech hip-hop mixtape may be one of the best weapons we have against Empire. -- p. 4 of cover.
650 0 $aRemixes.
650 0 $aHip-hop.
650 0 $aCopyright$xMusic$zUnited States.
650 0 $aSound recording industry.
947 $fHUMANITIES$hCIRCSTACKS$p$22.95$q1
949 $aML3531 .B35 2011$i31786102851190
994 $a92$bCNU
999 $aML 3531 .B355 2011$wLC$c1$i31786102851190$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u3/29/2012