MARC record from Internet Archive

LEADER: 04035cam 2200673 a 4500
001 ocm21559561
003 OCoLC
005 20201012093600.0
008 900425s1990 mou b 001 0 eng
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050 00 $aPQ6555.Z5$bT78 1990
082 00 $a863/.5$220
084 $aIO 9765$2rvk
084 $a7,34$2ssgn
100 1 $aTsuchiya, Akiko,$d1959-
245 10 $aImages of the sign :$bsemiotic consciousness in the novels of Benito Pérez Galdós /$cAkiko Tsuchiya.
260 $aColumbia :$bUniversity of Missouri Press,$c©1990.
300 $aix, 145 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aBased on the author's thesis, Cornell University.
504 $aIncludes bibliographical references (pages 135-142) and index.
505 0 $aMaxi and the signs of madness -- The myth of the natural sign in El doctor Centeno -- The struggle for autonomy in Tristana -- La incógnita and the enigma of writing -- History as language in the first series of the Episodios nacionales.
520 $aThe author has chosen to organize the discussion of Galdos's novels on the basis of paradigmatic considerations. The use of paradigms, however, is not intended to reduce the complexity of the individual text to predetermined or categorical patterns, but simply to provide a useful framework for the analyses that follow. The first chapter serves an umbrella function for the subsequent chapters. In its synchronic orientation, this study will depart from the chronological readings of such prominent scholars as Casalduero, Correa, and Montesinos. Although what I call "semiotic consciousness" cannot be seen strictly as an inherent attribute that resides within the texts, the concept can provide a useful interpretive framework for the critic. Moreover, this framework contains within itself a self-critique, since it dramatizes the undecidability between two different ways of interpreting the text. In the analyses that follow, I hope to show the complexity of Galdos's realist enterprise, which is inseparable from his works' self-conscious reflection on language.
600 10 $aPérez Galdós, Benito,$d1843-1920$xCriticism and interpretation.
650 0 $aSemiotics and literature.
600 14 $aPérez Galdós, Benito.
600 16 $aPérez Galdós, Benito,$d1843-1920$xCritique et interprétation.
650 6 $aSémiotique et littérature.
600 17 $aPérez Galdós, Benito,$d1843-1920.$2fast$0(OCoLC)fst00036210
650 7 $aSemiotics and literature.$2fast$0(OCoLC)fst01112369
600 17 $aPérez Galdós, Benito$d1843-1920$2gnd
600 17 $aAndrae, A.$2gnd
650 7 $aSemiotik$2gnd
600 17 $aPérez Galdós, Benito.$2swd
650 07 $aRoman.$2swd
653 0 $aPérez Galdós, Benito$a1843-1920$aCriticism and interpretation
653 0 $aSemiotics and literature
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aTsuchiya, Akiko, 1959-$tImages of the sign.$dColumbia : University of Missouri Press, ©1990$w(OCoLC)645359845
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948 $hNO HOLDINGS IN P4A - 277 OTHER HOLDINGS