MARC record from Internet Archive

LEADER: 03709cam a22003857i 4500
001 2014932798
003 DLC
005 20150820081305.0
008 140206t20142014enka e b 001 0 eng
010 $a 2014932798
015 $aGBB467884$2bnb
016 7 $a016774293$2Uk
020 $a9780500291573 (paperback)
020 $a0500291578 (paperback)
035 $a(OCoLC)ocn890828965
040 $aAU@$beng$erda$cAU@$dOCLCO$dUKMGB$dBDX$dCDX$dUAB$dYDXCP$dNDD$dERASA$dIUL$dVP@$dNLGGC$dBKL$dYNK$dOCLCF$dJQM$dDLC
042 $alccopycat
050 00 $aN7476$b.W55 2014
082 04 $a808.066$223
084 $a20.30$2bcl
084 $a05.16$2bcl
100 1 $aWilliams, Gilda,$eauthor.
245 10 $aHow to write about contemporary art /$cGilda Williams.
264 1 $aLondon ;$aNew York, New York :$bThames & Hudson,$c2014.
264 4 $c©2014
300 $a264 pages :$billustrations ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"34 illustrations and 64 source texts."
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction. There is no single 'best' way to write about art ; 'International Art English' ; Anyone can learn to write competently about art -- The Job: Why Write About Contemporary Art?. Explaining v. evaluating ; Art-words and artworks ; Artist/dealer/curator/critic/blogger/'Kunstworker'/journalist/historian ; Out of the blue: where art-criticism came from ; Art-writing sans frontières -- The Practice: How to Write About Contemporary Art. 'Fear is the root of bad writing' ; How to substantiate your ideas ; The audience: grounding specialists and non-specialists ; Practical 'how-to's -- The Ropes: How to Write Contemporary Art Formats. How to write an academic essay ; 'Explaining' texts ; 'Evaluating' texts ; How to write an artist's statement ; Writing formats compared: one artist, many writers -- Conclusion: How to read about contemporary art ; Notes.
520 $aHow to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counselling the reader against common pitfalls such as jargon and poor structure, Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.--$cSource other than Library of Congress.
650 0 $aArt criticism$xAuthorship.
650 7 $aArt criticism$xAuthorship.$2fast$0(OCoLC)fst00815493