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MARC record from Internet Archive

LEADER: 01952cam 2200409 a 4500
001 9922760950001661
005 20150423145159.0
008 111025s2012 nyu b 001 0 eng
010 $a 2011044504
015 $aGBB198967$2bnb
019 $a773025877
020 $a9780230578357 (hardback)
020 $a0230578357 (hardback)
035 $a(CSdNU)u507346-01national_inst
035 $a(OCoLC)748328751
035 $a(OCoLC)748328751
040 $aDLC$beng$cDLC$dBTCTA$dC#P$dYDXCP$dNLE$dBDX$dBWX$dCDX$dHVC
042 $apcc
043 $an-us---
049 $aCNUM
050 00 $aPN1995.9.D4$bM38 2012
082 00 $a791.43/6556$223
084 $aLIT004230$aPER004030$aPER004000$aLIT000000$2bisacsh
100 1 $aMason, Fran,$d1962-
245 10 $aHollywood's detectives :$bcrime series in the 1930s and 1940s from the whodunnit to hard-boiled noir /$cFran Mason.
260 $aNew York :$bPalgrave Macmillan,$c2012.
300 $aix, 187 p. ;$c23 cm.
490 1 $aCrime files
504 $aIncludes bibliographical references and index.
505 0 $aPreface -- Exploring detective films in the 1930s and 1940s: genre, society and Hollywood -- "Such lovely friends": class and crime in 'The thin man' series -- Between law and crime: the chivalric 'criminal' detective -- Englishness and America: Basil Rathbone's Sherlock Holmes -- Ordering the world: the uncompromising logic of Charlie Chan and Mr Moto -- The rise of the hard-boiled detective -- Conclusion: noir detectives, rogue cops, undercover men and police procedurals.
650 0 $aDetective and mystery films$zUnited States$xHistory and criticism.
650 0 $aFilm noir$zUnited States$xHistory and criticism.
830 0 $aCrime files series.
947 $fHUMANITIES$hCIRCSTACKS$p$73.10$q1
949 $aPN1995.9.D4 M38 2012$i31786102817118
994 $a92$bCNU
999 $aPN 1995.9 .D4 M38 2012$wLC$c1$i31786102817118$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u1/4/2013