MARC record from Internet Archive

LEADER: 05780cam 2200913 a 4500
001 ocn756045736
003 OCoLC
005 20211009010417.0
008 111004s2012 nyua b 001 0 eng
010 $a 2011041745
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020 $z9780231501460 (ebook)
020 $z0231501463 (ebook)
035 $a(OCoLC)756045736
037 $bColumbia Univ Pr, C/O Perseus Distribution 1094 Flex Dr, Jackson, TN, USA, 38301$nSAN 631-760X
042 $apcc
043 $an-us---
050 00 $aKF3070$b.D43 2012
080 $a347.786(73)(09)
082 00 $a346.7304/82$223
084 $a347.374$2moys
084 $aD971.234$2clc
084 $a86.33$2bcl
100 1 $aDecherney, Peter.
245 10 $aHollywood's copyright wars :$bfrom Edison to the internet /$cPeter Decherney.
260 $aNew York :$bColumbia University Press,$c©2012.
300 $axii, 287 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aFilm and culture
504 $aIncludes bibliographical references (pages 243-274) and index.
505 0 $aThe theater of copyright -- Piracy and the birth of film -- Hollywood's golden age of plagiarism -- Auteurism on trial: moral rights and films on television -- Hollywood's guerrilla war: fair use and home video -- Digital Hollywood: too much control and too much freedom -- The copyright reform movement.
520 $aCopyright law is important to every stage of media production and reception. It helps determine filmmakers' artistic decisions, Hollywood's corporate structure, and the varieties of media consumption. The rise of digital media and the internet has only expanded copyright's reach. Everyone from producers and screenwriters to amateur video makers, file sharers, and internet entrepreneurs has a stake in the history and future of piracy, copy protection, and the public domain. Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, this book follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Many of Hollywood's most valued treasures, from Modern Times (1936) to Star Wars (1977), cannot be fully understood without appreciating their legal controversies. The author shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law. Many landmark decisions have barely changed the industry's behavior, while some quieter policies have had revolutionary effects. His most remarkable contributions uncover Hollywood's reliance on self-regulation. Rather than involve Congress, judges, or juries in settling copyright disputes, studio heads and filmmakers have often kept such arguments 'in house', turning to talent guilds and other groups for solutions. Whether the issue has been battling piracy in the 1900s, controlling the threat of home video, or managing modern amateur and noncommercial uses of protected content, much of Hollywood's engagement with the law has occurred offstage, in the larger theater of copyright. This history recounts these extralegal solutions and their impact on American media and culture. -- Publisher description.
650 0 $aCopyright$xMotion pictures$zUnited States$xHistory.
650 0 $aCopyright$xBroadcasting rights$zUnited States$xHistory.
650 6 $aDroit d'auteur$xCinéma$zÉtats-Unis$xHistoire.
650 7 $a86.33 intellectual property.$0(NL-LeOCL)077608011$2bcl
650 7 $aLaw.$2eflch
650 7 $aCopyright$xBroadcasting rights.$2fast$0(OCoLC)fst00878716
650 7 $aCopyright$xMotion pictures.$2fast$0(OCoLC)fst00878746
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aFilmwirtschaft$2gnd
650 7 $aUrheberrecht$2gnd
650 7 $aPlagiat$2gnd
650 7 $aRechtsstreit$2gnd
651 7 $aUSA$2gnd
650 17 $aCopyright.$0(NL-LeOCL)078440971$2gtt
650 17 $aMovies.$0(NL-LeOCL)07850581X$2gtt
651 7 $aUnited States.$0(NL-LeOCL)078939836$2gtt
650 7 $aCopyright$xMotion pictures$zUnited States$xHistory.$2nli
650 7 $aCopyright$xBroadcasting rights$zUnited States$xHistory.$2nli
650 7 $aUpphovsrätt$xhistoria$zFörenta staterna.$2sao
650 7 $aFilm$xhistoria$zFörenta staterna.$2sao
650 7 $aUpphovsrätt, USA.$2sfit
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aFilm and culture.
938 $aWorld International Property Organization$bWIPO$n27078
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938 $aBaker and Taylor$bBTCP$nBK0013293154
938 $aCoutts Information Services$bCOUT$n19348806
938 $aErasmus Boekhandel$bERAA$nNTS0000134225
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948 $hNO HOLDINGS IN P4A - 625 OTHER HOLDINGS