MARC record from Internet Archive

LEADER: 01954cam a22003614a 4500
001 2011027788
003 DLC
005 20120424082554.0
008 110629s2012 ilua b s001 0deng
010 $a 2011027788
016 7 $a016019476$2Uk
020 $a9780252036736 (hardcover : alk. paper)
020 $a0252036735 (hardcover : alk. paper)
020 $a9780252093845 (e-book)
020 $a0252093844 (e-book)
035 $a(OCoLC)ocn734002493
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dERASA$dUKMGB$dBDX$dYDXCP$dIK2$dSFR$dBWX$dE7B$dYHM$dCOO$dDLC
042 $apcc
043 $an-us---
050 00 $aML410.M2715$bC36 2012
082 00 $a781.5/42092$223
100 1 $aCaps, John.
245 10 $aHenry Mancini :$breinventing film music /$cJohn Caps.
260 $aUrbana :$bUniversity of Illinois Press,$cc2012.
300 $a278 p., [16] p. of plates :$bill. ;$c24 cm.
490 1 $aMusic in American life
504 $aIncludes bibliographical references (p. [259]-261) and index.
505 0 $aIntroduction. Here was something fresh -- Allegheny River launch -- Not quite jazz -- The music factory -- Big screen, little screen -- Blake Edwards and the high times -- Career crescendos -- First cadence -- The break with Blake -- Off to see the world -- Back to television? -- The curse of the Pink Panther -- Maturity, the second cadence -- Frustration -- Stolen moments -- A closing door that wasn't there before -- Almost to Broadway -- Lookin back, looking on.
520 $aExamines the composer's influence on film music, discussing his collaborations with directors to create musical effects resonant with the plots of each film he worked on and his lasting impact on the subsequent role of music in film.
600 10 $aMancini, Henry$xCriticism and interpretation.
650 0 $aMotion picture music$zUnited States$xHistory and criticism.
830 0 $aMusic in American life.
856 40 $uhttp://site.ebrary.com/id/10535711$3ebrary