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LEADER: 05296cam 2200829 a 4500
001 ocm25048036
003 OCoLC
005 20101119165848.0
008 911213s1992 gau b s001 0 eng
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050 00 $aPS374.N4$bS87 1992
082 00 $a813.009/3520396073$220
100 1 $aSundquist, Eric J.
245 14 $aThe hammers of creation :$bfolk culture in modern African-American fiction /$cEric J. Sundquist.
260 $aAthens :$bUniversity of Georgia Press,$cc1992.
300 $axiii, 151 p. ;$c22 cm.
490 1 $aMercer University Lamar memorial lectures ;$vno. 35
504 $aIncludes bibliographical references (p. [135]-145) and index.
505 0 $a"These old slave songs": The autobiography of an ex-coloured man -- "The drum with the man skin": Jonah's gourd vine -- "A song without words": Black thunder.
520 $aIn The Hammers of Creation, Eric J. Sundquist analyzes the powerful role played by folk culture in three major African-American novels of the early twentieth century: James Weldon Johnson's The Autobiography of an Ex-Coloured Man, Zora Neale Hurston's Jonah's Gourd Vine, and Arna Bontemps's Black Thunder. Sundquist explains how the survival of cultural traditions originating in Africa and in slavery became a means of historical reflection and artistic creation for modern writers. He goes on to illustrate and compare the ways in which the three representative novels use aspects of African-American culture, including the folklore of slavery, black music from spirituals to jazz, black worship and sermonic form, and African-American resistance to slavery and segregation. The Hammers of Creation focuses on the unique narrative form of each of the three novels - Johnson's fictive autobiography, Hurston's ethnographic commentary combined with personal narrative, and Bontemps's historical fiction based on Gabriel's slave rebellion - to illustrate the range of fictional strategies black writers have employed. Through their attempts to gain cultural integrity, Sundquist explains, these writers were able to recover and preserve vital aspects of African-American history. Sundquist argues that by incorporating vernacular culture and the oral tradition into their works, Johnson, Hurston, and Bontemps challenge the primacy of written narrative while creating an African-American literary tradition that links the world of African ancestors and antebellum culture to the world of contemporary letters.
650 0 $aAmerican fiction$xAfrican American authors$xHistory and criticism.
600 10 $aJohnson, James Weldon,$d1871-1938.$tAutobiography of an ex-coloured man.
600 10 $aBontemps, Arna,$d1902-1973.$tBlack thunder.
650 0 $aAfrican Americans$xIntellectual life$y20th century.
600 10 $aHurston, Zora Neale.$tJonah's gourd vine.
650 0 $aLiterature and folklore$zUnited States.
650 0 $aAfrican Americans in literature.
650 0 $aAfrican Americans$xFolklore.
650 0 $aFolklore in literature.
653 0 $aEnglish fiction$aBy$aBlack persons
653 0 $aUnited States
600 14 $aJohnson, James Weldon.$tAutobiography of an ex-coloured man.
600 17 $aJohnson, James Weldon$tThe autobiography of an ex-coloured man$2swd
600 17 $aHurston, Zora Neale$2swd
600 17 $aBontemps, Arna Wendell$2swd
650 07 $aVolkskultur$2swd
650 07 $aRoman$2swd
651 7 $aUSA$2swd
651 7 $aSchwarze$2swd
830 0 $aMercer University Lamar memorial lectures ;$vno. 35.
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