MARC record from Internet Archive

LEADER: 05668cam 2201081 a 4500
001 ocm00200748
003 OCoLC
005 20220601182628.0
008 711020s1971 enkafh b 001 0 eng
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020 $a0198171781
020 $a9780198171782
020 $a0198173873
020 $a9780198173878
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043 $ae-it---
050 00 $aND170$b.B37
082 00 $a750/.1
083 0 $aPaintings. Composition. Theories of Italian writers, 1350-1450
084 $a21.02$2bcl
100 1 $aBaxandall, Michael,$eauthor.
245 10 $aGiotto and the orators :$bhumanist observers of painting in Italy and the discovery of pictorial composition, 1350-1450 /$cby Michael Baxandall.
260 $aOxford :$bClarendon Press,$c1971.
300 $axii, 185 pages, 16 plates :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aOxford-Warburg studies
505 0 $aHumanist's opinions and humanist points of view: The humanists ; Words ; Sentences ; The rethoric of comparison ; The Latin point of view -- The humanists on painting: Petrarch, painting as model of art ; Filippo Villani and the pattern of progress ; Manuel Chrysoloras, Guarino, and the description of Pisanello ; Bartolomeo Fazio and Lorenzo Valla, the limits of humanistic criticism -- Albreti and the humanists, composition -- Texts.
546 $aIncludes texts in Greek and Latin.
504 $aIncludes bibliographical references (pages 178-180) and index.
520 $a"Painters and humanists were joint pace-makers for the early Italian Renaissance: this was recognized even at the time. But how much the painters' visual art had in common with the humanists' verbal art is still not clear. This book - acclaimed on its first publication as 'almost beyond value in its appeal to the mind' - examines the one firm bridge between them, what Petrarch and other humanists wrote about painting. It makes a survey of the range and main themes of their art criticism. It describes how incessant analysis of their own medium, neo-classical language, also conditioned their own insights into painting. Finally, it explains in detail the genesis of one humanist invention still with us - the notion that a picture has a 'composition.'" -- Cover page 4.
540 $aCurrent Copyright Fee: GBP22.50$c0.$5Uk
600 00 $aGiotto,$d1266?-1337.
651 0 $aItaly$xIntellectual life$y1268-1559.
650 0 $aPainting, Renaissance.
650 0 $aHumanists$zItaly.
650 0 $aHumanism in art.
650 0 $aComposition (Art)
600 06 $aGiotto,$d1266?-1337.
650 6 $aPeinture primitive.
650 6 $aComposition (Art)
651 6 $aItalie$xVie intellectuelle$y1268-1559.
650 6 $aPeinture de la Renaissance.
650 6 $aHumanistes$zItalie.
650 6 $aHumanisme dans l'art.
650 7 $acomposition (artistic arrangement)$2aat
600 07 $aGiotto,$d1266?-1337.$2fast$0(OCoLC)fst00074999
650 7 $aComposition (Art)$2fast$0(OCoLC)fst00871739
650 7 $aHumanism in art.$2fast$0(OCoLC)fst00963527
650 7 $aHumanists.$2fast$0(OCoLC)fst00963543
650 7 $aIntellectual life.$2fast$0(OCoLC)fst00975769
650 7 $aPainting, Renaissance.$2fast$0(OCoLC)fst01051051
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
650 17 $aHumanisme (cultuurgeschiedenis)$2gtt
650 17 $aSchilderkunst.$2gtt
600 07 $aGiotto,$d1266?-1337.$2nli
650 7 $aHumanists$zItaly.$2nli
650 7 $aPainting, Renaissance$zItaly.$2nli
650 7 $aComposition (Art)$2nli
600 07 $aGiotto,$d(1266-1336)$2ram
650 7 $aHumanisme$zItalie$y14e siècle.$2ram
650 7 $aHumanisme$zItalie$y15e siècle.$2ram
650 7 $aPeinture de la Renaissance$zItalie$y15e siècle.$2ram
648 7 $a1268-1559$2fast
653 $aPaintings$aComposition$aTheories of Italian writers, 1350-1450
776 08 $iOnline version:$aBaxandall, Michael.$tGiotto and the orators.$dOxford : Clarendon Press, 1971$w(OCoLC)560788769
830 0 $aOxford-Warburg studies.
938 $aBaker & Taylor$bBKTY$c15.50$d11.63$i0198171781$n0000349281$sactive
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948 $hHELD BY P4A - 568 OTHER HOLDINGS