MARC record from Internet Archive

LEADER: 04656cam 2200613 a 4500
001 ocm28417619
003 OCoLC
005 20181227053422.0
008 930621s1993 nyua b 001 0 eng
010 $a 93025668
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035 $a(OCoLC)28417619
043 $an-us---$aa-ja---
050 00 $aNA737.W7$bN88 1993
082 00 $a720/.92$220
084 $a21.62$2bcl
100 1 $aNute, Kevin,$d1958-
245 10 $aFrank Lloyd Wright and Japan :$bthe role of traditional Japanese art and architecture in the work of Frank Lloyd Wright /$cKevin Nute.
260 $aNew York :$bVan Nostrand Reinhold,$c℗♭1993.
300 $a244 pages :$billustrations ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 215-233) and index.
505 0 $a1. 'Japanism' and the Boston orientalists -- 2. Japanese Homes: the Japanese house dissected -- 3. The Ho-o-den: the temple and the villa married in south Chicago -- 4. Fenollosa and the 'organic' nature of Japanese art -- 5. Composition: the picture, the plan, and the pattern, as aesthetic line-ideas -- 6. The woodblock print and the geometric abstraction of natural, man-made, and social forms -- 7. Okakura and the social and aesthetic Ideals of the East -- 8. Japan itself: giving and receiving in 'Yedo' -- 9. Japan as inspiration: analogies with Japanese built-forms -- 10. Japan as confirmation: the universal manifested in the particular -- Appendix A. Summary of events -- Appendix B. Biographical sketches -- Appendix C. Kakuzo Okakura's catalogue of the Ho-o-den -- Appendix D. Peter Bonnet Wight's description of the Ho-o-den -- Appendix E. Ernest Fenollosa's essay on "The Nature of Fine Art" -- Appendix F. Frederick Gookin's reviews of Kakuzo Okakura's books -- Appendix G. Glossary.
520 $aFrank Lloyd Wright's admiration for traditional Japanese pictorial art is well known, as is his insistence that neither the art nor the architecture of Japan had any direct influence on his own work. This book examines the evidence that quite apart from their philosophical lessons certain forms of Japanese art and architecture did in fact have a significant impact on Wright's early work, and one which may cast new light on his general approach to design. More specifically, the study sets out to explain Wright's particular perception of traditional Japanese art and architecture in terms of his own 'organic' design principles. And by illustrating how he brought together disparate forms and ideas in new creative syntheses it attempts to clarify the nature of his artistic originality. Eight primary channels of influence, from woodblock prints to publications and individual buildings are examined in detail, and the evidence of their impact on Wright's written and built work is illustrated through a combination of textual and graphic analyses.
600 10 $aWright, Frank Lloyd,$d1867-1959$xCriticism and interpretation.
600 16 $aWright, Frank Lloyd,$d1867-1959$xCritique et interpre tation.
600 16 $aWright, Frank Lloyd,$d1867-1959$xEt l'art japonais.
600 17 $aWright, Frank Lloyd,$d1867-1959$2fast$0(OCoLC)fst00032949
600 17 $aWright, Frank Lloyd.$2swd
650 0 $aArchitecture$zUnited States$xJapanese influences.
650 6 $aArchitecture$zE tats-Unis$y20e sie cle$xInfluence japonaise.
650 6 $aArchitecture$zJapon$y20e sie cle.
650 7 $aArchitecture$xJapanese influences.$2fast$0(OCoLC)fst00813468
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aArchitektur$2gnd
651 7 $aJapan.$2swd
650 4 $aArquitectura$zEE. UU$xInfluencias japonesas.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aNute, Kevin, 1958-$tFrank Lloyd Wright and Japan.$dNew York : Van Nostrand Reinhold, ℗♭1993$w(OCoLC)624052269
938 $aBaker & Taylor$bBKTY$c66.95$d50.21$i0471289663$n0003109227$sactive
938 $aBrodart$bBROD$n46092528$c$66.95
938 $aBaker and Taylor$bBTCP$n93025668
938 $aYBP Library Services$bYANK$n391569
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029 1 $aHEBIS$b030695708
029 1 $aNZ1$b3206655
029 1 $aYDXCP$b391569
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 466 OTHER HOLDINGS