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MARC record from Internet Archive

LEADER: 04232cam 22007091 4500
001 ocm00369622
003 OCoLC
005 20100301181706.0
008 721213s1955 nyua 000 0 eng
010 $a 55006749
040 $aDLC$cDLC$dMUQ$dXBE$dAU@
019 $a813057
035 $a(OCoLC)369622$z(OCoLC)813057
050 00 $aN6370$b.S95
082 4 $a709.03
100 1 $aSypher, Wylie.
245 10 $aFour stages of Renaissance style;$btransformations in art and literature, 1400-1700.
250 $a[1st ed.]
260 $aGarden City, N.Y.,$bDoubleday,$c1955.
300 $a312 p.$billus.$c18 cm.
490 0 $aA Doubleday anchor original A45
505 0 $aThe analogy of forms in art -- Renaissance -- I. The Gothic system : problems -- II. Renaissance composition -- III. Interferences and transformations -- Mannerism -- I. The missing term -- II. Disturbed balance -- III. Techniques of accommodation -- IV. The dramatic artifice -- V. The revolving view -- VI. Unresolved tensions -- VII. Shifting planes of reality -- Baroque -- I. Reintegration -- II. Resolution in the flesh -- III. Resolution in energy -- IV. Resolution in space -- V. Baroque and academic -- VI. The image in space -- VII. Resolution by height -- VIII. From baroque to Kitsch -- IX. Resolution by light -- Late-baroque -- I. The "neoclassical" tradition -- II. The system of reversal and balance -- III. Psychological symmetry -- IV. The mechanics of expression -- V. The late-baroque purification : Racine.
650 0 $aArts, Renaissance.
650 6 $aArt de la Renaissance.
650 6 $aRenaissance.
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952 $a188440534$zPAU$bUNIV OF PENNSYLVANIA$hFull; not ex.$iLCC$u20080517
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952 $a266253298$zCUD$bCAMBRIDGE UNIV$hFull$u20081031
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029 1 $aNLGGC$b802688330
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029 1 $aNZ1$b2677857
029 1 $aAU@$b000000711741
029 1 $aAU@$b000023881225
029 1 $aAU@$b000025055277
029 1 $aZWZ$b014929430
994 $aZ0$bPMR
948 $hNO HOLDINGS IN PMR - 1209 OTHER HOLDINGS