MARC record from Internet Archive

LEADER: 04738cam 2200661 i 4500
001 on1073111253
003 OCoLC
005 20220317090056.0
008 190327s2019 nyua b 001 0 eng c
006 m o d
007 cr |n|||||||||
010 $a 2019008431
040 $aLBSOR/DLC$beng$erda$cDLC$dOCLCF$dOCLCO$dUKMGB$dYDX$dOCLCO$dCHVBK$dOCLCO$dOCLCA$dMNU$dUWO$dUPM$dOCLCQ$dOCLCA$dGUA$dBDF$dOCLCO
015 $aGBB983572$2bnb
016 7 $a019394149$2Uk
019 $a1122849228$a1124271738$a1126185615$a1126541325$a1202852750$a1203012278
020 $a9781501351587$q(hardback :$qalk. paper)
020 $a1501351583
020 $z9781501351563$q(ePDF)
020 $z9781501351570$q(eBook)
035 $a(OCoLC)1073111253$z(OCoLC)1122849228$z(OCoLC)1124271738$z(OCoLC)1126185615$z(OCoLC)1126541325$z(OCoLC)1202852750$z(OCoLC)1203012278
042 $apcc
050 00 $aPT1863.Z7$bM34 2019
082 00 $a838/.709$223
100 1 $aMcGillen, Petra$q(Petra S.),$eauthor.
245 14 $aThe Fontane workshop :$bmanufacturing realism in the industrial age of print /$cPetra S. McGillen.
264 1 $aNew York, NY :$bBloomsbury Academic,$c2019.
300 $axvii, 309 pages :$billustrations ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aNew directions in German studies ;$vvol. 26
520 $a"With an innovative approach that combines material media history, media theory, and literary poetics, this book reconstructs the great German writer Theodor Fontane's creative process. Petra McGillen follows Fontane into the engine room of his text production. Analyzing a wealth of unexplored archival evidence--which includes a collection of the author's 67 extant notebooks, along with an array of other 'paper tools,' such as cardboard boxes, envelopes, and slips--McGillen demonstrates how Fontane compiled his realist prose works. That is, he assembled them from premediated sources, literally with scissors and glue, in an extraordinarily inorganic and radically intertextual manner that turned 'writing' into a process of ongoing remix. By exploring the far-reaching implications of Fontane's creative practices for our understanding of his authorship, originality, and poetics, this book opens up a completely new way to think about his works and, by extension, 19th-century literary realism. This conceptualization of authors' notebooks as creative tools makes a substantial contribution to scholarship on the history of writing media in several disciplines, from German studies and literary studies to media history, and to our understanding of the relationship between mass media and literary creativity in the late 19th century"--$cProvided by publisher.
500 $aExtensive and substantial revision of author's thesis (doctoral)--Princeton University, 2012, titled Original compiler : notation as textual practice in Theodor Fontane.
504 $aIncludes bibliographical references (pages 277-295) and index.
505 0 $aIntroduction : remediating copy and paste -- Media-historical coordinates : literature in the industrial age of print -- Biography vs. autobiography : the making of a compiler -- A living archive : generating input -- The manufacture of literature : generating output -- Coda : the calculated novel : Mathilde Möhring's "uncreative" writing.
600 10 $aFontane, Theodor,$d1819-1898$xCriticism and interpretation.
650 0 $aGerman literature$y19th century$xHistory and criticism.
650 0 $aRealism in literature.
650 0 $aCreation (Literary, artistic, etc.)
600 17 $aFontane, Theodor,$d1819-1898.$2fast$0(OCoLC)fst00031429
650 7 $aCreation (Literary, artistic, etc.)$2fast$0(OCoLC)fst00882393
650 7 $aGerman literature.$2fast$0(OCoLC)fst00941797
650 7 $aRealism in literature.$2fast$0(OCoLC)fst01091237
600 17 $aFontane, Theodor$d1819-1898$2gnd
650 7 $aLiteraturproduktion$2gnd
600 17 $0(FrPBN)11903061$aFontane, Theodor,$d1819-1898$0(FrPBN)12042895$xCritique et interprétation.$2ram
650 7 $0(FrPBN)13162724$aCréation (esthétique)$2ram
648 7 $a1800-1899$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iElectronic version:$aMcGillen, Petra (Petra S.).$tFontane workshop.$dNew York, NY : Bloomsbury Academic, 2019$z9781501351563$w(DLC) 2019016631$w(OCoLC)1096214565
830 0 $aNew directions in German studies ;$vv. 26.
938 $aBrodart$bBROD$n123733022
029 1 $aUKMGB$b019394149
029 1 $aCHVBK$b567173631
029 1 $aCHDSB$b007095170
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 56 OTHER HOLDINGS