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LEADER: 09135cam 2201441Ia 4500
001 ocn646699461
003 OCoLC
005 20200922004527.0
008 100711s2006 qucc ob 001 0 eng d
006 m o d
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010 $a 2006297016
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082 04 $a305.2350971$222
082 04 $a306/.1$222
100 1 $aWilson, Brian,$d1969-
245 10 $aFight, flight, or chill :$bsubcultures, youth and rave into the twenty-first century /$cBrian Wilson.
260 $aMontreal :$bMcGill-Queen's University Press,$c©2006.
300 $a1 online resource (vii, 216 pages) :$bportraits
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Youth culture, complexity, and rave. PART ONE. Rave culture, history, and social experience. From New York to Ibiza to Britain to Toronto: rave histories, contexts, and panics -- Doctrines, disappointments, and dance: perspectives and activities in the rave scene -- Making impressions, making investments: identities, relationships, commitments, and rave. PART TWO. Reading rave, interpreting youth culture. Fight, flight, or chill: reconsidering youth subcultural resistance -- Marketing "The vibe": community, nostalgia, political economy, and rave. Conclusion. Raise a fist? Reflections on theory and practice. Appendix 1: Comments about method and theory.
588 0 $aPrint version record.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
520 $aRave is one of the first distinct and significant youth subcultures to emerge since the early days of punk rockers and skinheads. A middle-class culture renowned for drug use, computer-generated "techno" music, and all-night dance parties, rave has been described as everything from a drug cult to a neo-hippie community. Brian Wilson uses his ethnographic research on rave during the mid and late 1990s in Southern Ontario to discuss the ways in which young people participate in social and cultural life at the turn of the millennium.
546 $aEnglish.
650 0 $aRave culture$zOntario.
650 0 $aYouth$xRecreation$zOntario.
650 6 $aRave (Subculture)
650 6 $aJeunesse$xLoisirs.
650 7 $aFAMILY & RELATIONSHIPS$xLife Stages$xAdolescence.$2bisacsh
650 7 $aFAMILY & RELATIONSHIPS$xLife Stages$xTeenagers.$2bisacsh
650 7 $aSOCIAL SCIENCE$xSociology$xGeneral.$2bisacsh
650 7 $aRave culture.$2fast$0(OCoLC)fst01090391
650 7 $aYouth$xRecreation.$2fast$0(OCoLC)fst01183496
651 7 $aOntario.$2fast$0(OCoLC)fst01204832
650 7 $aJugendkultur$2gnd
650 7 $aRave$2gnd
651 7 $aOntario$2gnd
653 $aJSTOR-DDA
653 $aRave culture$aOntario
653 $aYouth$aRecreation$aOntario
653 $aYouth$aOntario
653 $aRave culture$aCase studies
653 $aYouth$aOntario$aCase studies
653 $aMulti-User.
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aWilson, Brian, 1969-$tFight, flight, or chill.$dMontreal : McGill-Queen's University Press, ©2006$w(DLC) 2006297016$w(OCoLC)62181389
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