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LEADER: 09401cam a2201081 a 4500
001 ocm49594148
003 OCoLC
005 20191109072509.1
008 030224s2003 enkac b 001 0 eng
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049 $aMAIN
245 04 $aThe feminism and visual culture reader /$cedited by Amelia Jones.
260 $aLondon ;$aNew York :$bRoutledge,$c2003.
300 $axxix, 560 pages :$billustrations, portraits ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aIn sight
504 $aIncludes bibliographical references and index.
505 00 $gIntroduction :$tConceiving the intersection of feminism and visual culture /$rAmelia Jones --$gPart 1: Provocations.$tIntroduction to part one /$rAmelia Jones ;$tFeminist viewing : viewing feminism /$rRosemary Betterton ;$tFear and loathing in New York : an impolite anecdote about the interface of homophobia and misogyny /$rJennifer Doyle ;$tCreating transnational women's art networks /$rLisa Bloom ;$tOne way or another : black feminist visual theory /$rJudith Wilson ;$tNext bodies /$rFaith Wilding ;$tThe unbearable lightness of sight /$rMeiling Cheng --$gPart 2: Representation.$tIntroduction to part two /$rAmelia Jones ;$tFrom ways of seeing /$rJohn Berger ;$tFemale imagery /$rJudy Chicago, Miriam Schapiro ;$tVisual pleasure and narrative cinema /$rLaura Mulvey ;$tTextual strategies : the politics of art-making /$rJudith Barry, Sandy Flitterman-Lewis ;$tFilm and the masquerade : theorizing the female spectator /$rMary Ann Doane ;$tDesiring images/imaging desire /$rMary Kelly ;$tScreening the seventies : sexuality and representation in feminist practice : a Brechtian perspective /$rGriselda Pollock ;$tThe oppositional gaze : black female spectators /$rBell Hooks ;$tBroken symmetries : memory, sight, love /$rPeggy Phelan --$gPart 3: Difference.$tIntroduction to part three /$rAmelia Jones ;$tAny theory of the "subject" has always been appropriated by the "masculine" /$rLuce Irigaray ;$tLesbian artists /$rHarmony Hammond ;$tThe straight mind /$rMonique Wittig ;$tBlack bodies, white bodies : toward an iconography of female sexuality in late nineteenth-century art, medicine, and literature /$rSander L. Gilman ;$tDifference : "A special third world women issue" /$rTrinh T. Minh-ha ;$tOlympia's maid : reclaiming black female subjectivity /$rLorraine O'Grady ;$tA posttranssexual manifesto /$rSandy Stone ;$tColor and difference in abstract painting : the ultimate case of monochrome /$rAnn Eden Gibson ;$tThe other history of intercultural performance /$rCoco Fusco ;$t"The white to be angry" : Vaginal Creme Davis's terrorist drag /$rJose Esteban Munoz --$gPart 4: Disciplines/strategies.$tIntroduction to part four /$rAmelia Jones ;$tWhy have there been no great women artists? /$rLinda Nochlin ;$tFeminism and film : critical approaches /$rCamera Obscura Collective ;$tThe triple negation of colored women artists /$rAdrian Piper ;$tPatrilineage /$rMira Schor ;$tBathsheba or The interior bible /$rHelene Cixous ;$tGossip as testimony : a postmodern signature /$rIrit Rogoff ;$tThe social and the poetic : feminist practices in architecture, 1970-2000 /$rPatricia Morton.
505 80 $gPart 5: Mass culture/media interventions.$tIntroduction to part five /$rAmelia Jones ;$tHateful contraries : media images of Asian women /$rPratibha Parmar ;$tThe search for tomorrow in today's soap operas /$rTania Modleski ;$tFeminist media strategies for political performance /$rSuzanne Lacy, Leslie Labowitz ;$tFeminism, incorporated : reading "postfeminism" in an anti-feminist age /$rAmelia Jones ;$tThe suburban home companion : television and the neighborhood ideal in postwar America /$rLynn Spigel ;$tBlack Barbie and the deep play of difference /$rAnn duCille ;$tThe Guerrilla Girls introduction and conclusion to the Guerrilla Girls' bedside companion to the history of western art /$rThe Guerrilla Girls ;$tReflections on a yellow eye : Asian I(\eye/)cons and cosmetic surgery /$rKathleen Zane ;$tFear of falling /$rJudith Mayne --$gPart 6: Body.$tIntroduction to part six /$rAmelia Jones ;$tExternal boundaries /$rMary Douglas ;$tStreams/all that flows and woman : territory of desire /$rKlaus Theweleit ;$tPornography /$rAndrea Dworkin ;$tApproaching abjection /$rJulia Kristeva ;$tPerformative acts and gender constitution : an essay in phenomenology and feminist theory /$rJudith Butler ;$tToward a butch-femme aesthetic /$rSue-Ellen Case ;$tReinstating corporeality : feminism and body politics /$rJanet Wolff ;$tThe knowledge of the body and the presence of history : toward a feminist architecture /$rDeborah Fausch ;$tThe ballerina's phallic pointe /$rSusan Leigh Foster ;$tNever just pictures /$rSusan Bordo ;$tEpilogue to imaginary bodies : ethics, power and corporeality /$rMoira Gatens --$gPart 7: Technology.$tIntroduction to part seven /$rAmelia Jones ;$tA cyborg manifesto : science, technology, and socialist-feminism in the late twentieth century /$rDonna Haraway ;$tVirtual bodies and flickering signifiers /$rN. Katherine Hayles ;$tBodies : cities /$rElizabeth Grosz ;$tTo touch the other : a story of corpo-electronic surfaces /$rChristine Ross ;$tPostcolonial media theory /$rMaria Fernandez ;$tFeminisations : reflections on women and virtual reality /$rSadie Plant ;$tCyberfeminist manifesto /$rVNS Matrix ;$tCyberfeminism with a difference /$rRosi Braidotti ;$tThe appended subject : race and identity as digital assemblage /$rJennifer Gonzalez ;$tMy womb, the mosh pit /$rSharon Lehner.
520 $aChallenging the notion of feminism as a unified discourse, this book assembles writings that address art, film, architecture, popular culture, new media, and other visual fields from a feminist perspective. The book combines classic texts with six newly commissioned pieces. Articles are grouped into thematic sections, each introduced by the editor. Providing a framework within which to understand the shifts in feminist thinking in visual studies, as well as an overview of major feminist theories of the visual, this reader also explores how issues of race, class, nationality, and sexuality enter into debates about feminism in the field of the visual. -- book cover.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aFeminism.
650 0 $aFeminism and the arts.
650 0 $aVisual communication.
650 0 $aPopular culture.
650 6 $aFéminisme.
650 6 $aFéminisme et arts.
650 6 $aCommunication visuelle.
650 6 $aCulture populaire.
650 7 $aFeminism.$2fast$0(OCoLC)fst00922671
650 7 $aFeminism and the arts.$2fast$0(OCoLC)fst00922747
650 7 $aPopular culture.$2fast$0(OCoLC)fst01071344
650 7 $aVisual communication.$2fast$0(OCoLC)fst01167997
650 7 $aÄsthetik$2gnd
650 7 $aFeminismus$2gnd
650 7 $aKultur$2gnd
650 7 $aKunstwissenschaft$2gnd
650 7 $aVisuelle Kommunikation$2gnd
650 7 $aVisuelle Wahrnehmung$2gnd
650 7 $aVisuelle Medien$2gnd
650 17 $aFeminisme.$2gtt
650 17 $aBeeldcultuur.$2gtt
650 7 $aFéminisme.$2rasuqam
650 7 $aCulture populaire.$2rasuqam
650 7 $aCulture.$2rasuqam
650 7 $aGenre.$2rasuqam
650 7 $aÉtude de genre.$2rasuqam
650 7 $aFemme.$2rasuqam
650 7 $aEthnicité$2rasuqam
650 7 $aIdentité raciale.$2rasuqam
650 07 $aVisuelle Medien.$2swd
650 07 $aFeminismus.$2swd
655 4 $aAufsatzsammlung.
700 1 $aJones, Amelia.
830 0 $aIn sight.
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=010126769&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010126769&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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