MARC record from Internet Archive

LEADER: 04546cam 2200661 a 4500
001 ocm61177364
003 OCoLC
005 20200909193417.0
008 050725s2005 enkac b 001 0 eng
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015 $aGBA563683$2bnb
016 7 $a013262144$2Uk
019 $a1074381403
020 $a1856694364$q(pbk.)
020 $a9781856694360$q(pbk.)
035 $a(OCoLC)61177364$z(OCoLC)1074381403
042 $aukblsr
050 4 $aTT507$b.J68 2005
080 $a746.9(01)
082 04 $a746.92$222
100 1 $aJones, Sue Jenkyn.
245 10 $aFashion design /$cSue Jenkyn Jones.
250 $a2nd ed.
260 $aLondon :$bLaurence King,$c2005.
300 $a240 pages :$billustrations (some color), color portraits ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPortfolio series
500 $aPrevious edition: 2002.
504 $aIncludes bibliographical references and index.
520 $a"Offers students a through grounding in the principles of fashion design. It describes the qualities and skills needed to become a fashion designer, examines the varied career opportunities available and gives a balanced inside view of the fashion business today. Subjects covered include how to interpret a project brief; building a collection; choosing fabric; fit and cutting methods; and portfolio presentation. This revised edition discusses the technological developments that are changing the fashion industry and includes expanded chapters on drawing and making techniques, and careers in fashion. With updated photographs and illustrations, and extensive resource lists and glossaries, the book provides new designers with a valuable route-guide to the profession."--Cover.
505 00 $tIntroduction --$tWho this book is for --$tHow to use the book --$tHave you got what it takes? --$tThe first steps --$tThe college syllabus --$gI.$tContext --$tThe uses of clothing --$tThe language of fashion --$tThe geography of fashion --$tTwo kinds of fashion --$tTime and timing --$tThe fashion calendar --$tThe fashion cycle --$tFashion and culture --$tMedia --$tFashion time line --$gII.$tFrom manufacture to market --$tHistorical background --$tManufacture today --$tTypes of producer --$tMarket segmentation --$tTypes of retailer --$tPrice points --$gIII.$tThe body --$tInspiring bodies --$tDrawing and illustration --$tUsing computers --$tThe elements of design --$tThe principles of design --$gIV.$tColour and fabric --$tColour basics --$tFabrics --$tRange building --$tFabric suppliers --$tFabric fairs --$gV.$tIn the studio --$tThe college studio --$tMeasuring and mapping --$tPattern drafting --$tDeveloping the pattern --$tThe toile --$tMaking the toile --$tMarkings and notches --$tDraping on the stand --$tCutting the sample --$tSewing --$tFitting --$gVI.$tThe brief --$tWhat is a brief? --$tTypes of brief --$tWhat the brief asks of you --$tAims and objectives --$tInspiration --$tPersonal creativity and style --$tPresentation --$tThe crit --$tAssessment --$gVII.$tThe final collection -- and beyond --$tThe final collection --$tThe college fashion show --$tStudent exhibitions --$tYour portfolio --$tYour first job --$tCareers in fashion --$tWriting a CV or resume --$tThe interview -- some dos and don'ts --$tGlossary --$tFurther reading & useful addresses --$tIndex --$tPicture credits & acknowledgements.
650 0 $aCostume design.
650 0 $aCostume design$xVocational guidance.
650 7 $aCostume design.$2fast$0(OCoLC)fst00880794
650 7 $aCostume design$xVocational guidance.$2fast$0(OCoLC)fst00880812
830 0 $aBiebl Ranweiler portfolio series.
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