MARC record from Internet Archive

LEADER: 02239cam 2200373 i 4500
001 9921921690001661
005 20150423141507.0
008 121012s2013 nyu b 001 0 eng
010 $a 2012037261
020 $a9780230392120 (alk. paper)
020 $a0230392121 (alk. paper)
035 $a(CSdNU)u521041-01national_inst
035 $a(OCoLC)795759247
035 $a(OCoLC)795759247
040 $aDLC$beng$erda$cDLC$dBTCTA$dOCLCO$dYDXCP$dCDX
042 $apcc
049 $aCNUM
050 00 $aPN1995.9.F36$bP53 2013
082 00 $a791.43/61509051$223
100 1 $aPheasant-Kelly, Frances,$d1960-
245 10 $aFantasy film post 9/11 /$cby Frances Pheasant-Kelly.
264 1 $aNew York, New York :$bPalgrave Macmillan,$c2013.
300 $aviii, 211 pages : $b ill. ; $c 23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Settings, spectacle, and the other: picturing disgust in Jackson's The lord of the rings trilogy -- Bewitching, abject, uncanny: magical spectacle in the Harry Potter films -- Pirate politics and the spectacle of the Other: Pirates of the Caribbean -- Resurrection, anthropomorphism, and Cold War echoes in Adamson's The chronicles of Narnia: the lion, the witch and the wardrobe -- The aesthetics of trauma: temporality, and multidirectional memory in Pan's labyrinth -- Reframing the Cold War in the twenty-first century: action, nostalgia and nuclear holocaust in Indiana Jones and The kingdom of the crystal skull -- The ecstasy of chaos: mediating 9/11, terrorism and trauma in The dark knight -- Wounding, morality and torture: reflections of the War on Terror in Iron man and Iron man 2 -- Shock and awe: terror, technology, and the sublime nature of Cameron's Avatar -- Conclusion.
650 0 $aFantasy films$xHistory and criticism.
650 0 $aSeptember 11 Terrorist Attacks, 2001$xInfluence.
947 $fHUMANITIES$hCIRCSTACKS$p$73.10$q1
949 $aPN1995.9.F36 P53 2013$i31786102853451
994 $a92$bCNU
999 $aPN 1995.9 .F36 P53 2013$wLC$c1$i31786102853451$d9/30/2013$e9/3/2013 $lCIRCSTACKS$mNULS$n2$rY$sY$tBOOK$u5/8/2013