MARC record from Internet Archive

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008 010810s2002 cau b 001 0 eng
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100 1 $aAdorno, Theodor W.,$d1903-1969.
245 10 $aEssays on music /$cTheodor W. Adorno ; selected, with introduction, commentary, and notes by Richard Leppert ; new translations by Susan H. Gillespie.
260 $aBerkeley, Calif. :$bUniversity of California Press,$c©2002.
300 $axvii, 743 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 681-708) and index.
505 0 $aLocating music, society, modernity, and the new. Commentary / (by Richard Leppert) ; Music, language, and composition (1956) ; Why is the new art so hard to understand? (1931) ; On the contemporary relationship of philosophy and music (1953) ; On the problem of musical analysis (1969) ; The aging of the new music (1955) ; The dialectical composer (1934) -- Culture, technology, and listening. Commentary / (by Richard Leppert) ; The radio symphony (1941) ; The curves of the needle (1927/1965) ; The form of the phonograph record (1934) ; Opera and the long-playing record (1969) ; On the fetish-character in music and the regression of listening (1938) ; Little heresy (1965) -- Music and mass culture. Commentary / (by Richard Leppert) ; What national socialism has done to the arts (1945) ; On the social situation of music (1932) ; On popular music [with the assistance of George Simpson] (1941) ; On jazz (1936) ; Farewell to jazz (1933) ; Kitsch (c. 1932) ; Music in the background (c. 1934) -- Composition, composers, and works. Commentary / (by Richard Leppert) ; Late style in Beethoven (1937) ; Alienated masterpiece: The missa solemnis (1959) ; Wagner's relevance for today (1963) ; Mahler today (1930) ; Marginalia on Mahler (1936) ; The opera Wozzeck (1929) ; Toward and understanding of Schoenberg (1955/1967) ; Difficulties (1964, 1966).
520 $aTheodor W. Adorno (1903-1969), one of the principal figures associated with the Frankfurt School, wrote extensively on culture, modernity, aesthetics, literature, and -- more than any other subject -- music. To this day, Adorno remains the single most influential contributor to the development of qualitative musical sociology which, together with his nuanced intertextual readings of musical works, gives him broad claim as a continuing force in the study of music. This long-awaited collection of twenty-seven essays represents the full range of Adorno's music writing. Nearly half of the essays appear in English for the first time; all of the essays are fully annotated; and the previously translated essays have been corrected and missing text restored, making this volume the definitive resource on Adorno's musical thought. -- Publisher description.
546 $aTranslated from the German.
600 10 $aAdorno, Theodor W.,$d1903-1969.
650 0 $aMusic$xPhilosophy and aesthetics.
600 14 $aAdorno, Theodor W.$q(Theodor Wiesengrund),$d1903-1969$xCriticism and interpretation.
600 16 $aAdorno, Theodor W.,$d1903-1969$xEt la musique.
650 6 $aMusique$xPhilosophie et esthétique.
600 17 $aAdorno, Theodor W.,$d1903-1969.$2fast$0(OCoLC)fst00048481
650 7 $aMusic$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01030408
650 7 $aMusik$2gnd
650 7 $aMusikphilosophie$2gnd
650 7 $aMusikästhetik$2gnd
650 7 $aAufsatzsammlung$2gnd
650 17 $aMuziekfilosofie.$2gtt
650 7 $aFilosofia da música.$2larpcal
650 7 $aEstética da música.$2larpcal
600 17 $aAdorno, Theodor W.,$d1903-1969$xCriticism and interpretation.$2nli
650 7 $aMusic$xPhilosophy and aesthetics.$2nli
650 07 $aMusikphilosophie.$2swd
650 07 $aAufsatzsammlung.$2swd
650 07 $aMusikästhetik.$2swd
650 07 $aMusik.$2swd
655 4 $aAufsatzsammlung.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aLeppert, Richard D.
700 1 $aGillespie, Susan H.$4trl
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ucal041/2001044601.html
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/bios/ucal052/2001044601.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/ucal042/2001044601.html
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