MARC record from Internet Archive

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001 ocn286419979
003 OCoLC
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008 090619s2009 enka b 000 0 eng
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050 4 $aNX220$b.R3613 2009
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100 1 $aRancière, Jacques.
245 14 $aThe emancipated spectator /$cJacques Ranciere ; translated by Gregory Elliot.
260 $aLondon :$bVerso,$c©2009.
300 $a134 pages :$billustrations ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
546 $aIn English translated from the French.
520 $aIn this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?
504 $aIncludes bibliographical references.
505 0 $aThe emancipated spectator -- The misadventures of critical thought -- Aesthetic separation, aesthetic community -- The intolerable image -- The pensive image.
540 $aCurrent Copyright Fee: GBP23.00$c0.$5Uk
650 0 $aAesthetics.
650 0 $aImage (Philosophy)
650 0 $aRepresentation (Philosophy)
650 0 $aArts audiences$xPsychology.
650 0 $aArt appreciation$xPhilosophy.
650 0 $aArt$xPhilosophy.
650 0 $aReader-response criticism.
650 6 $aArt$xPhilosophie.
650 6 $aImage (Philosophie)
650 6 $aEsthétique de la réception.
650 6 $aReprésentation (Philosophie) dans l'art.
650 6 $aReprésentation (Philosophie)
650 6 $aArts$xPublics$xPsychologie.
650 6 $aArt$xAppréciation$xPhilosophie.
650 7 $aAesthetics.$2fast$0(OCoLC)fst00798702
650 7 $aArts audiences$xPsychology.$2fast$0(OCoLC)fst00817864
650 7 $aImage (Philosophy)$2fast$0(OCoLC)fst00967475
650 7 $aRepresentation (Philosophy)$2fast$0(OCoLC)fst01094927
650 7 $aEmanzipation$gMotiv$2gnd
650 7 $aKunstbetrachtung$2gnd
650 7 $aPassivität$gMotiv$2gnd
650 7 $aÄsthetik$2gnd
650 7 $aAesthetics.$2nli
650 7 $aImage (Philosophy)$2nli
650 7 $aRepresentation (Philosophy)$2nli
650 7 $aArts audiences$xPsychology.$2nli
650 7 $aArt appreciation$xPhilosophy.$2nli
650 7 $aKonstfilosofi.$2sao
650 7 $aKonstestetik.$2sao
650 7 $aKonstreception.$2sao
650 7 $aKonstteori.$2sfit
650 7 $aFilmteori.$2sfit
700 1 $aElliott, Gregory.
776 08 $iOnline version:$aRancière, Jacques.$tEmancipated spectator.$dLondon : Verso, ©2009$w(OCoLC)1085907284
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