MARC record from Internet Archive

LEADER: 04221cam 2200745Ii 4500
001 ocn690987589
003 OCoLC
005 20220921091540.0
008 101209m20109999it a b 001 0 eng d
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019 $a812552056$a979117249
020 $a9788890548406$q(v. 1)
020 $a8890548401$q(v. 1)
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020 $a8890548444$q(v. 2)
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035 $a(OCoLC)690987589$z(OCoLC)812552056$z(OCoLC)979117249
041 1 $aeng$hita
050 4 $aMT723$b.C5713 2010
072 7 $aMT$2lcco
072 7 $aML$2lcco
082 04 $a781$221
083 0 $a786.74
100 1 $aCipriani, Alessandro,$d1959-$eauthor.
240 10 $aMusica elettronica e sound design.$lEnglish
245 10 $aElectronic music and sound design :$btheory and practice with Max/MSP /$cAlessandro Cipriani, Maurizio Giri ; translation by Richard Dudas.
250 $aFirst edition.
264 1 $aRome :$bConTempoNet,$c[2010-]
264 4 $c©2010
300 $avolumes :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Translation of Musica elettronica e sound design : teoria e pratica con Max/MSP"--Title page verso, volume 1.
504 $aIncludes bibliographical references and index.
505 0 $aV. 1. Computer music -- Instruction and study -- v. 2. Computer composition.
505 0 $aV. 1. Chapter 1T. Theory: Introduction to sound synthesis -- Chapter 1P. Practice: Sound synthesis with Max/MSP -- Interlude A. Practice: Programming with Max/MSP -- Chapter 2T. Theory: Additive and vector synthesis -- Chapter 2P. Practice: Additive and vector synthesis -- Chapter 3T. Theory: Noise generators, filters and subtractive synthesis -- Chapter 3P. Practice: Noise generators, filters and subtractive synthesis -- Interlude B. Practice: Additional elements of programming with Max/MSP -- Chapter 4T. Theory: Control signals -- Chapter 4P. Practice: Control signals -- Reference -- v. 2. Chapter 5T. Theory: Digital audio and sampled sounds -- Chapter 5P. Practice: Digital audio and sampled sounds -- Interlude C. Practice: Managing time, polyphony, attributes and arguments -- Chapter 6T. Theory: Delay lines -- Chapter 6P. Practice: Delay lines -- Chapter 7T. Theory: Dynamics processors -- Chapter 7P. Practice: Dynamics processors -- Interlude D. Advanced preset management, bpatcher, variable arguments, data and score management -- Chapter 8T. Theory: The art of organizing sound: motion processes -- Chapter 8P. Practice: The art of organizing sound: motion processes -- Chapter 9T. Theory: MIDI -- Chapter 9P. Practice: MIDI and real-time control -- Interlude E. Practice: Max for live.
546 $aTranslated from the Italian.
650 0 $aElectronic music$xInstruction and study.
650 0 $aSynthesizer (Musical instrument)
650 0 $aComputer music$xInstruction and study.
650 0 $aComputer composition (Music)
650 6 $aSynthétiseur.
650 6 $aComposition (Musique) par ordinateur.
650 7 $asynthesizers.$2aat
650 7 $aComputer composition (Music)$2fast$0(OCoLC)fst00872055
650 7 $aComputer music$xInstruction and study.$2fast$0(OCoLC)fst00872276
650 7 $aElectronic music$xInstruction and study.$2fast$0(OCoLC)fst00907367
650 7 $aSynthesizer (Musical instrument)$2fast$0(OCoLC)fst01141189
700 1 $aGiri, Maurizio,$eauthor.
700 1 $aDudas, Richard,$d1968-$etranslator.
938 $aCasalini Libri$bCASA$n10968969$c45.00 EUR
938 $aOtto Harrassowitz$bHARR$nhar125001245
938 $aYBP Library Services$bYANK$n3631024
029 1 $aAU@$b000046640863
029 1 $aAU@$b000046924462
029 1 $aAU@$b000050076521
029 1 $aAU@$b000055424599
029 1 $aCHBIS$b006288849
029 1 $aCHVBK$b17271687X
029 1 $aNZ1$b13655128
994 $aZ0$bGTX
948 $hNO HOLDINGS IN GTX - 118 OTHER HOLDINGS