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LEADER: 06245cam 2200877 a 4500
001 ocm31937699
003 OCoLC
005 20100907165901.0
008 950113s1995 nyua b 001 0beng
010 $a 95002114
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050 00 $aN6537.H6$bL48 1995
082 00 $a760/.092$220
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100 1 $aLevin, Gail,$d1948-
245 10 $aEdward Hopper :$ban intimate biography /$cGail Levin.
250 $a1st ed.
260 $aNew York :$bKnopf,$c1995.
300 $axvii, 678 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. 581-644) and index.
530 $aAlso issued online.
505 0 $aThe Roots of Conflict: 1882-1899 -- Defining the Talent: 1899-1906 -- Seductive Paris: 1906-1907 -- The Ambivalent American: 1907-1910 -- In Search of a Style: 1911-1915 -- The Detour through Etching: 1915-1918 -- The Deeper Hunger: 1918-1923 -- The Leading Lady -- First Success: 1923-1924 -- Getting Established: 1925-1927 -- On the Road to America: 1928-1929 -- Recognition: 1930-1933 -- First Retrospective and the Truro House: 1933-1935 -- An Intellectual Self-Portrait -- Consequences of Success: 1936-1938 -- The Struggle to Paint: 1939 -- The War Begins: 1940 -- Failed Odyssey: 1941 -- Nighthawks: 1942 -- Mexico: 1943 -- War on the Home Front: 1944 -- The Aesthetic Divide: 1945 -- Anxiety: 1946-1947 -- Illness and Loss: 1948 -- Melancholy Reflection: 1949 -- A Retrospective Year: 1950 -- Mexico Again: 1951 -- Planning Reality: 1952 -- Reality: 1953 -- Taking Stock: 1954 -- Personal Vision: 1955 -- Time Cover Story: 1956 -- Toward Reconciliation: 1957-1958.
520 $aIn the art of Edward Hopper (1882-1967), tense, unhappy men and women, in whom we recognize something of our neighbors and ourselves, play out mysterious dramas in silent, stripped-down spaces - stages raked by an unrelenting and revealing light. These paintings, and Hopper's equally evocative landscapes and houses, make us wonder: what kind of man had this haunting vision, and what kind of life engendered this art? No one is better qualified to answer these questions than the art historian Gail Levin, author of the major studies of Hopper's work (including the catalogue raisonne) and curator of many exhibitions that explored his development and cultural context. Delving deeply into his art and into a rich archive of unpublished letters and diaries, she now constructs "An Intimate Biography," which reveals the true nature and personality of the man himself - and of the woman who shared his life and helped to shape his art.
520 8 $aJo Hopper's diaries permit an intimate look at the interactions of an indissolubly bonded couple, revealing for the first time the personal tensions that lie behind some of Hopper's most haunting works. Gail Levin, sifting the gritty reality of Jo's story with her own analytic skills and historical and literary knowledge, uses the diaries to great effect in linking specific paintings to the time, place, and mood in which they were created.
600 10 $aHopper, Edward,$d1882-1967.
650 0 $aArtists$zUnited States$vBiography.
650 17 $aSchilderijen.$2gtt
600 17 $aHopper, Edward$d(1882-1967).$2ram
600 14 $aHopper, Edward,$d1882-1967.
600 14 $aHopper, Jo.
600 17 $aHopper, Edward.$2swd
776 08 $iOnline version:$aLevin, Gail, 1948-$tEdward Hopper.$b1st ed.$dNew York : Knopf, 1995$w(OCoLC)604074670
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