It looks like you're offline.
Open Library logo
additional options menu

MARC record from Internet Archive

LEADER: 02746cam 2200421 a 4500
001 ocm32697661
003 OCoLC
005 20200619195409.0
008 950601s1996 nyua b 001 0 eng
010 $a 95030181
040 $aDLC$beng$cDLC$dBTCTA$dYDXCP$dZWZ$dCNKUC$dOCLCF$dLFM$dOCLCQ
020 $a0810932261
020 $a9780810932265
035 $a(OCoLC)32697661
050 00 $aN8140$b.L56 1996
082 00 $a704.9/487$220
100 1 $aLink, Luther.
245 14 $aThe Devil :$bthe archfiend in art from the sixth to the sixteenth century /$cLuther Link.
260 $aNew York :$bHarry N. Abrams,$c1996.
300 $a208 pages :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 194-204) and index.
520 $aThrough paintings, sculpture, and the decorative arts, Luther Link examines common perceptions of the Devil's image and attributes - his tail, horns, flaming hair, pitchfork. Yet, as Link shows, there is no one standard depiction of Satan, just as he has no one name. Behind the mask of evil, he has taken a bewildering variety of forms: he can be the bloated and wanton cannibal of Giotto's Last Judgment; he can be half wise old man, half malevolent monster; he can even be beautiful and grand, as in the Limbourg Brothers' Fall of Lucifer. Link's compelling text identifies for the first time the origins of many of the Devil's features, provides new perspectives on the image of the Devil today and in medieval and early Renaissance times, and offers unexpected insights or artworks ranging from illuminated manuscripts, mosaics, and reliefs to Michelangelo's Sistine Chapel frescoes. Drawing on original textual sources, including colorful accounts of the Devil's origins in the Bible, the Apocrypha, the writings of St. Augustine, and reports on the intrigues of popes and emperors, Link produces a fresh view of this powerful and mysterious figure.
505 0 $a1. The Name of the Devil -- 2. What the Devil Looks Like -- 3. Heresy and Hell -- 4. Gislebertus, Giotto, and the Eroticism of Hell -- 5. The Devil as Rebel Angel.
650 0 $aDevil in art.
650 7 $aDevil in art.$2fast$0(OCoLC)fst00891989
650 7 $aDiable$xDans l'art.$2ram
776 08 $iOnline version:$aLink, Luther.$tDevil.$dNew York : Harry N. Abrams, 1996$w(OCoLC)603923609
938 $aBaker and Taylor$bBTCP$n95030181
938 $aYBP Library Services$bYANK$n709046
029 1 $aAU@$b000011760935
029 1 $aNZ1$b4758499
029 1 $aYDXCP$b709046
029 1 $aZWZ$b045750580
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 414 OTHER HOLDINGS