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LEADER: 07321cam 2200937Ma 4500
001 ocn794701291
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008 010124s2002 nyua obd 001 0 eng d
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020 $a9780791489635$q(electronic bk.)
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035 $a(OCoLC)794701291$z(OCoLC)961559997$z(OCoLC)962692209$z(OCoLC)975743396$z(OCoLC)978444521$z(OCoLC)978882514$z(OCoLC)1017994658$z(OCoLC)1041904585$z(OCoLC)1048749017$z(OCoLC)1059415471$z(OCoLC)1081188211$z(OCoLC)1123167704$z(OCoLC)1124352369$z(OCoLC)1126027189$z(OCoLC)1137108998$z(OCoLC)1153460439$z(OCoLC)1154235835$z(OCoLC)1154992842$z(OCoLC)1162059226$z(OCoLC)1204559913$z(OCoLC)1241825716$z(OCoLC)1290035002$z(OCoLC)1300516571
037 $a3407946$bProquest Ebook Central
050 4 $aPN1995.9.R45$bD43 2002
072 7 $aPER$x004020$2bisacsh
072 7 $aPER$x004030$2bisacsh
082 04 $a791.43/75$221
245 00 $aDead ringers :$bthe remake in theory and practice /$cedited by Jennifer Forrest and Leonard R. Koos.
260 $aAlbany :$bState University of New York Press,$c©2002.
300 $a1 online resource (ix, 369 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aThe SUNY series, cultural studies in cinema/video
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $aDEAD RINGERS: The Remake in Theory and Practice -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- 1. Reviewing Remakes: An Introduction -- 2. Twice-Told Tales: Disavowal and the Rhetoric of the Remake -- 3. Economy and Aesthetics in American Remakes of French Films -- 4. The Personal Touch: The Original, the Remake, and the Dupe in Early Cinema -- 5. Sound Strategies: Langa's Rearticulation of Renoir -- 6. The Raven and the Nanny: The Remake as Cross cultural Encounter -- 7. Sadie Thompson Redux: Postwar Reintegration of the Wartime Wayward Woman
505 8 $a8. Hiring Practices: Simenon/Duvivier/Leconte9. Twice Two: The Fly and Invasion of the Body Snatchers -- 10. Three Takes On Motherhood, Masculinity, and Marriage: Serreau's Trois Hommes et un couffin, Nimoy's Remake, and Ardolino's Sequel -- 11. Pretty Woman with a Gun: La Femme Nikita and the Textual Politics of The Remake -- APPENDIX A: Remaking Le Voile bleu: An Interview with Norman Corwin, Screenwriter for The Blue Veil -- APPENDIX B: Norman Corwin Letter to Jerry Wald -- CONTRIBUTORS -- FILM TITLE INDEX -- A -- B -- C -- D -- E -- F -- G
505 8 $aHI -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z -- NAME AND SUBJECT INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- T -- U -- V -- W -- X -- Y -- Z
520 8 $aWhile the popular press has criticized movie remakes as signs of Hollywood's collective lack of imagination, the essays in Dead Ringers reveal the centrality and staying power of remakes as a formative genre in filmmaking. The contributors show that the practice of remaking films dates back to the origins of cinema and the evolution of film markets. In fact, remakes were never so prevalent as during the Classic Hollywood period, when filmmaking had achieved its greatest degree of industrialization, and they continue to play a crucial role in the development of film genres generally. Offering a variety of historical, commercial, theoretical, and cultural perspectives on the remake, Dead Ringers is a valuable resource for students of film history and theory, as well as those interested in the cultural politics of the late twentieth century.
546 $aEnglish.
650 0 $aFilm remakes$xHistory and criticism.
650 6 $aCinéma$xRemakes$xHistoire et critique.
650 6 $aNouvelles versions (Films)$xHistoire et critique.
650 7 $aPERFORMING ARTS$xFilm & Video$xGuides & Reviews.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xHistory & Criticism.$2bisacsh
650 7 $aFilm remakes.$2fast$0(OCoLC)fst01715954
650 7 $aRemake$2gnd
653 $a"Multi-User"
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aKoos, Leonard R.,$d1958-
700 1 $aForrest, Jennifer,$d1958-
776 08 $iPrint version:$tDead ringers.$dAlbany : State University of New York Press, ©2002$w(DLC) 2001020010
830 0 $aSUNY series, cultural studies in cinema/video.
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