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LEADER: 02399cam 22005414a 4500
001 9920705180001661
005 20150423131223.0
008 090212s2009 miua b s001 0 eng
010 $a 2009004564
015 $aGBA940339$2bnb
016 7 $a015117843$2Uk
020 $a9780472070596 (cloth : alk. paper)
020 $a0472070592 (cloth : alk. paper)
020 $a9780472050598 (pbk. : alk. paper)
020 $a0472050591 (pbk. : alk. paper)
029 1 $aCDX$b9153357
029 1 $aCDX$b9153358
029 1 $aBWX$bR8785113
035 $a(CSdNU)u360592-01national_inst
035 $a(OCoLC)306798187
035 $a(OCoLC)306798187
035 $a(OCoLC)306798187
040 $aDLC$cDLC$dUKM$dC#P$dYDXCP$dCDX$dBWX$dBTCTA
043 $an-us---
049 $aCNUM
050 00 $aPN4151$b.S67 2009
082 00 $a808.5/45$222
100 1 $aSomers-Willett, Susan B. A.,$d1973-
245 14 $aThe cultural politics of slam poetry :$brace, identity, and the performance of popular verse in America /$cSusan B. A. Somers-Willett.
260 $aAnn Arbor :$bUniversity of Michigan Press,$cc2009.
300 $axi, 191 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 169-178) and index.
505 0 $aOn page and stage: slam poetry as a genre -- Poetry and the people: the cultural tensions of American popular verse in performance -- I sing the body authentic: slam poetry and the cultural politics of performing identity -- "Commercial niggas like me": spoken word poetry, hip-hop, and the racial politics of going mainstream.
650 0 $aPerformance poetry$zUnited States$xHistory and criticism.
650 0 $aAmerican poetry$y20th century$xHistory and criticism.
650 0 $aRace in literature.
650 0 $aIdentity (Psychology) in literature.
650 0 $aOral interpretation of poetry.
650 0 $aPoetry slams$zUnited States$xHistory.
650 0 $aPoetry$xPolitical aspects$zUnited States.
938 $aYBP Library Services$bYANK$n2959652
938 $aBlackwell Book Service$bBBUS$nR8785113$c$22.95
938 $aBaker and Taylor$bBTCP$nBK0008026808
938 $aCoutts Information Services$bCOUT$n9153357
947 $fCOLS-LIT$hCIRCSTACKS$p$21.80$q1
949 $aPN 4151 .S67 2009$i31786102388318
994 $a92$bCNU
999 $aPN 4151 .S67 2009$wLC$c1$i31786102388318$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u7/22/2009