| Record ID | ia:cu31924021793314 |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/cu31924021793314/cu31924021793314_marc.xml |
| Download MARC binary | https://www.archive.org/download/cu31924021793314/cu31924021793314_meta.mrc |
LEADER: 01321cam 22003731 4500
001 2368875
005 20080528132023.0
008 930830s1915 enkg 001 0 eng
010 $a 16010717
035 $a(CStRLIN)NYCX93B88842
035 $a(NIC)notisALY2238
035 $a(OCoLC)1258726
035 $a2368875
040 $cOTifH$dOCoLC$dFTaSU$dCStRLIN$dOkU$dNIC
050 00 $aML467$b.D65
100 1 $aDolmetsch, Arnold,$d1858-1940.
245 14 $aThe interpretation of the music of the XVIIth and XVIIIth centuries$brevealed by contemporary evidence.$cBy Arnold Dolmetsch.
260 $aLondon,$bNovello;$aNew York,$bH. W. Gray$c[1915]
300 $ax, 493 p.$bmusic.$c22 cm.
490 1 $aHandbooks for musicians
500 $aIncludes indexes.
650 0 $aMusic$xInterpretation (Phrasing, dynamics, etc.)
650 0 $aMusic$xPerformance.
650 0 $aMusic theory$y17th century.
650 0 $aMusic theory$y18th century.
650 0 $aEmbellishment (Music)
830 0 $aHandbooks for musicians.
903 $aKirtas$d20080528$p31924021793314
905 $a19940727120000.0
948 $aRET
950 $lMUSIC$aMT75$b.D66 1915$d\+\$i08/30/93 N
955 $lMUSIC$c1$i08/30/93 C
995 $aHivolm$d20070214
998 $a08/30/93$tc$s9125$nNIC$wOKUG87B13119$d08/30/93$cRET$bDLL$i930830$lNYCX