| Record ID | ia:cu31924013271493 |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/cu31924013271493/cu31924013271493_marc.xml |
| Download MARC binary | https://www.archive.org/download/cu31924013271493/cu31924013271493_meta.mrc |
LEADER: 01704cam 22003251 4500
001 1406658
005 20080314093514.0
008 880722s1906 enk||||| |||| 000 0|eng
010 $a 07000127
035 $a(CStRLIN)NYCXA0002360B
035 $a(NIC)notisAGM1348
035 $a(OCoLC)1745656
035 $a1406658
040 $cSAZTEC
050 0 $aPR651$b.B3
100 1 $aBayley, Harold.
245 14 $aThe Shakespeare symphony;$ban introduction to the ethics of the Elizabethan drama,$cby Harold Bayley.
260 $aLondon,$bChapman and Hall, ltd.,$c1906.
300 $aix, 393 p.$c23 cm.
500 $a"I do not maintain that Bacon was the concealed author of all the plays from which I have quoted extracts; but for many of them he will I believe ultimately be found to have been responsible; and for others his disciples could probably have rendered some account ..."--p. 355.
505 0 $aLondon's Parnassus.--The sweetness and gravity of the dramatic mind.--The state of learning.--Ecclesiacticism.--Religion.--Educational purpose.--Medicine and physiology.--Elizabethan audiences.--Classicisms.--The word-makers.--Problematic manuscripts.--Miscellaneous similitudes.--Error, wit, and metaphor.--Traits and idiosyncracies.--Conclusion.--Appendices.
600 10 $aShakespeare, William,$d1564-1616$yContemporary England.
600 10 $aShakespeare, William,$d1564-1616$xAuthorship$xBaconian theory (Pro)
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism
903 $aKirtas/Annex$d20080314$p31924013271493
905 $a19440404120000.0
950 $aPR651$b.B35$lOLIN$x1
955 $c1$lOLIN
995 $aHivolm$d20070115
998 $nNIC$s9665