MARC record from Internet Archive

LEADER: 06116cam a22009134a 4500
001 ocn788274409
003 OCoLC
005 20191109073032.9
008 120613s2012 iluag b 001 0 eng
010 $a 2012024400
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dOCLCO$dBDX$dERASA$dUKMGB$dYDXCP$dTDF$dBWX$dCOO$dPUL$dGWC$dSOI$dYUS$dIG#$dICW$dOCLCF$dOCLCQ$dCHVBK$dOCL$dOCLCA$dGBVCP$dOCLCQ$dSFR$dTFW
015 $aGBB289473$2bnb
016 7 $a016163927$2Uk
019 $a835191454
020 $a9780252037160
020 $a0252037162
024 8 $a40021557802
029 1 $aAU@$b000049547276
029 1 $aCHBIS$b007319289
029 1 $aCHDSB$b005952408
029 1 $aCHVBK$b124297838
029 1 $aCHVBK$b182562719
029 1 $aGBVCP$b717938697
029 1 $aNZ1$b14740195
029 1 $aUNITY$b127893601
029 1 $aUKMGB$b016163927
035 $a(OCoLC)788274409$z(OCoLC)835191454
037 $bUniv of Illinois Pr, C/O Chicago Distribution Center 11030 S Langley Ave, Chicago, IL, USA, 60628$nSAN 202-5280
042 $apcc
050 00 $aML193$b.K56 2012
082 00 $a781.1/7$223
049 $aMAIN
100 1 $aKinderman, William.
245 14 $aThe creative process in music from Mozart to Kurtág /$cWilliam Kinderman.
260 $aUrbana :$bUniversity of Illinois Press,$c©2012.
300 $axi, 233 pages :$billustrations (some color), music ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Mozart's second thoughts -- Beethoven's unfinished piano trio in F minor from 1816 -- Schumann, Beethoven, and the "Distant beloved" -- Aesthetics of integration in Mahler's fifth symphony -- Folklore transformed in Bartók's Dance suite -- Kurtág's Kafka fragments and Hommage á R. Sch.
520 $aGreat music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar. In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtag's Kafka Fragments and Hommage à R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartok's Dance Suite. Kinderman's analysis takes the form of "genetic criticism," tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtag illustrates the wealth of insight that can be gained through studying the creative process [Publisher description].
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 17 $aMozart, Wolfgang Amadeus,$d1756-1791.$0(DE-588)118584596$2gnd
600 17 $aBeethoven, Ludwig van,$d1770-1827.$0(DE-588)118508288$2gnd
600 17 $aSchumann, Robert,$d1810-1856.$tFantasien,$mKl.$nop. 17.$0(DE-588)300144709$2gnd
600 17 $aMahler, Gustav,$d1860-1911.$tSinfonien.$nNr. 5.$0(DE-588)300098049$2gnd
600 17 $aBartók, Béla,$d1881-1945.$tTáncszvit BB 86a.$0(DE-588)4651133-7$2gnd
600 17 $aKurtág, György,$d1926-$tKafka-Fragmente.$0(DE-588)7635699-1$2gnd
600 17 $aKurtág, György,$d1926-$tHommage à R. Sch.$0(DE-588)7601281-5$2gnd
600 17 $aMozart, Wolfgang Amadeus,$d1756-1791.$2gnd$0(DE-601)133447332
600 17 $aBeethoven, Ludwig van,$d1770-1827.$2gnd$0(DE-601)133447375
600 17 $aSchumann, Robert,$d1810-1856.$2gnd$0(DE-601)134580575
600 17 $aMahler, Gustav,$d1860-1911.$2gnd$0(DE-601)134582039
600 17 $aBartók, Béla,$d1881-1945.$2gnd$0(DE-601)134590155
600 17 $aKurtág, György,$d1926-$2gnd$0(DE-601)079584144
650 0 $aMusic$xHistory and criticism.
650 0 $aCreation (Literary, artistic, etc.)
650 7 $aCreation (Literary, artistic, etc.)$2fast$0(OCoLC)fst00882393
650 7 $aMusic$2fast$0(OCoLC)fst01030269
650 7 $aKreativität.$0(DE-588)4032903-3$2gnd
650 7 $aKomposition.$0(DE-588)4133320-2$2gnd
650 7 $aKomposition$2gnd$0(DE-601)105681040
650 7 $aSkizze$2gnd$0(DE-601)105316202
650 7 $aThematische Arbeit$2gnd$0(DE-601)516219332
650 7 $aKreativität$2gnd$0(DE-601)106259733
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy1305/2012024400-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy1305/2012024400-d.html
938 $aBrodart$bBROD$n103182314
938 $aBaker and Taylor$bBTCP$nBK0011113897
938 $aErasmus Boekhandel$bERAA$nNTS0000143510
938 $aIngram$bINGR$n9780252037160
938 $aTheodore Front Musical Literature$bTFRT$nTF323991
938 $aYBP Library Services$bYANK$n8475373
938 $aBlackwell Book Service$bBBUS$n8475373
994 $a92$bERR
976 $a31927002067145