MARC record from Internet Archive

LEADER: 03848cam 2200445Ia 4500
001 ocm53478311
003 OCoLC
005 20180829044028.0
008 031121s2003 maua 001 0 eng d
040 $aZLM$beng$cZLM$dOCLCQ$dJRZ$dBAKER$dBTCTA$dYDXCP$dQJB$dBDX$dOCLCF$dOCLCQ$dOCLCO$dOCL$dZH7
020 $a1592001033
020 $a9781592001033
035 $a(OCoLC)53478311
050 14 $aTR860$b.G38 2003
082 04 $a778.59$222
100 1 $aGaskell, Ed.
245 14 $aThe complete guide to digital video /$cEd Gaskell.
246 30 $aDigital video
260 $aBoston, MA :$bMuska & Lipman Pub.,$c℗♭2003.
300 $a192 pages :$bcolor illustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
505 0 $a...The Digital Video Advantage -- From Amateur to Professional -- The Theory -- What Makes "Digital" Digital -- Electronic vs Binary -- Making Analog Digital: The CCD -- The ADC -- Standards: Playing, Recording, and Conversion -- What's on the Tape -- The Price of Digital -- The Kit -- The Camera -- Camera Features -- Interview: Kathryn Fleet, Independent Video-Maker -- Digital Camera Formats -- Camera Connections -- IEE-1394 -- USB/USB2 -- Lenses -- Filters -- Microphones -- Interview: Martyn Lee Wilson, Commercials Director -- Camera Supports -- Computer Hardware -- Minimum Spec -- The Video Capture Card -- Mpeg, DIVX, Windows Media, Realmedia, Quicktime -- Soundcards -- Edit Software -- Intermediate and Advanced -- High-End Alternatives -- Software Accessories -- Audio Software -- FX/Titling Software -- Codecs, Encoders, Conversion, and Compression Software -- Burner Software -- The Shoot -- Preproduction -- Meetings -- Storyboards and Scripts -- Rehearsals/Dry-Runs -- Budgeting -- Production -- The Language of the Moving Image -- Interview: Maxim Jago, Corporate Producer/Director -- Types of Shot -- Camera Moves -- In-Camera Transitions -- Composition -- Lighting -- Three Point Lighting -- Spot Highlight, Kickers, Eyelights -- Technique and Tips -- Interview: Graham Berry, Camera Operator -- Shooting Coverage -- Monitoring -- Good Practice, Good Housekeeping -- Logging Shots; Timecode -- Interview: Mark Baynes, "Big Brother" Website Executive Producer -- Shooting for the Internet -- Chromakey -- Animation -- Natural Transitions -- Audio 1 -- Interview: Tull, Audio Mixer and Composer -- Audio 2 -- Using Microphones -- Recording -- The Edit -- The Art of Video Editing -- Interview: Eduardo Sanchez, Co-Director, "The Blair Witch Project" -- Basic Editing Techniques -- Software Installation -- Importing Footage -- Working with A Timeline and Saving -- A Practical Guide to Editing -- Film Effect -- Interview: Amrit Bharry, Editor -- Storage -- Rendering and Realtime -- Audio -- SFX -- The Mix -- FX, Transitions, and Titling -- Titling -- Grading and Legal Colors -- Saving Your Edit From Disaster -- Exporting -- Mpeg-4 -- Burning, Authoring, and Copyright -- Webcasting and Streaming.
650 0 $aDigital video$vAmateurs' manuals.
650 0 $aDigital cinematography$vAmateurs' manuals.
650 0 $aDigital video tape recorders$vAmateurs' manuals.
650 7 $aDigital cinematography.$2fast$0(OCoLC)fst00893633
650 7 $aDigital video.$2fast$0(OCoLC)fst00893738
650 7 $aDigital video tape recorders.$2fast$0(OCoLC)fst00893744
655 7 $aHandbooks and manuals.$2fast$0(OCoLC)fst01423877
938 $aBaker & Taylor$bBKTY$c39.99$d29.99$i1592001033$n0004297360$sactive
938 $aBrodart$bBROD$n01350285$c$39.99
938 $aBaker and Taylor$bBTCP$nbl2004000755
938 $aYBP Library Services$bYANK$n2036579
029 1 $aAU@$b000025366405
029 1 $aNZ1$b14088759
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 154 OTHER HOLDINGS