MARC record from Internet Archive

LEADER: 06669cam 22010094i 4500
001 ocm63660262
003 OCoLC
005 20201022011748.0
008 060130s2006 nyua bc 001 0 eng
010 $a 2006003137
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019 $a1007271113$a1008352194$a1022585490$a1170242784
020 $a0300115237$q(hardcover ;$qalk. paper)
020 $a9780300115239$q(hardcover ;$qalk. paper)
020 $a1885444338$q(softcover ;$qalk. paper)
020 $a9781885444332$q(softcover ;$qalk. paper)
024 3 $a9780300115239
035 $a(OCoLC)63660262$z(OCoLC)1007271113$z(OCoLC)1008352194$z(OCoLC)1022585490$z(OCoLC)1170242784
037 $bYale Univ Pr, C/O Triliteral Llc 100 Maple Ridge Dr, Cumberland, RI, USA, 02864-1769, (401)6584226$nSAN 631-8126
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050 00 $aN6510$b.A44 2006
080 $a7(73)-18/19-
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084 $aLO 96680$2rvk
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100 1 $aAgee, William C.,$eauthor,$eeditor.
245 10 $aComing of age :$bAmerican art, 1850s to 1950s /$cWilliam C. Agee and Susan C. Faxon.
264 1 $aNew York :$bAmerican Federation of Arts ;$aNew Haven :$bYale University Press,$c2006.
300 $a136 pages :$bcolor illustrations ;$c30 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in conjuction with an exhibition at the Addison Gallery of American Art, Andover, Massachusetts, and at other venues beginning in 2006.
504 $aIncludes bibliographical references (pages 132-133) and index.
505 00 $tThe search for an American Expression, 1850-1917 /$rSusan C. Faxon --$tAmerican art, 1910-1950s: themes, traditions, continuities /$rWilliam C. Agee.
520 $a"From the 1850s to the 1950s, American art and culture progressed from provincial status to international prominence, and American art transitioned from figurative depictions of the particular to abstract interpretations of universal ideals. This beautiful book chronicles this complex century of maturation through a selection of paintings from the extraordinary collection of the Addison Gallery of American Art. Coming of Age begins with Albert Bierstadt, Frederic Church, and the Hudson River School landscapes that embody the new nationalism of mid-nineteenth-century America. Their successors, Luminists like Jasper Cropsey and Fitz H. Lane, infused their immediate surroundings with glowing light and crystalline clarity, while contemporary Barbizon-influenced tonalists, such as George Inness, sought to capture the American ethos through an emotional, atmospheric landscape language. In the later 19th century, Winslow Homer, Thomas Eakins, and Eastman Johnson depicted native subjects through the lens of realism. Childe Hassam and Maurice Prendergast brought Impressionist aesthetics to America, while expatriates including John Singer Sargent and James McNeil Whistler established themselves in European art capitals. In New York, turn-of-the-century Ashcan school painters captured the gritty cityscape that would later host champions of modernism Alfred Stieglitz, Man Ray, and Marsden Hartley. In the 1930s, European-trained artist Josef Albers introduced a generation of American painters to new theories of color and space from which emerged the breakthrough Abstract Expressionists. By the 1950s, American art had come of age, as Americans securely held the vanguard position in the international art world."--Publisher's website.
520 1 $a"From the 1850s to the 1950s, American art and culture progressed from provincial status to international prominence, and American art transitioned from figurative depictions of the particular to abstract interpretation of universal ideals. This book chronicles this complex century of maturation through a selection of paintings from the collection of the Addison Gallery of American Art, Phillips Academy, Andover Massachusetts."--Dust jacket.
610 20 $aAddison Gallery of American Art$vExhibitions.
650 0 $aArt, American$y19th century$vExhibitions.
650 0 $aArt, American$y20th century$vExhibitions.
650 0 $aArt$zMassachusetts$zAndover$vExhibitions.
610 27 $aAddison Gallery of American Art.$2fast$0(OCoLC)fst00555493
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aArt, American.$2fast$0(OCoLC)fst00815895
651 7 $aMassachusetts$zAndover.$2fast$0(OCoLC)fst01204726
650 7 $aKunst$2gnd
610 27 $aUniversity of South Alabama$2gnd
650 17 $aBeeldende kunsten.$2gtt
651 7 $aVerenigde Staten.$2gtt
651 7 $aUSA.$2swd
648 7 $a1800-1999$2fast
648 7 $aGeschichte 1850-1950$2swd
655 4 $aAusstellung$zAndover (Mass.)$y2006.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aFaxon, Susan C.,$eauthor,$eeditor.
710 2 $aAddison Gallery of American Art,$ehost institution.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip067/2006003137.html
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy0643/2006003137-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0643/2006003137-d.html
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938 $aBaker and Taylor$bBTCP$n2006003137
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