| Record ID | ia:chronophobiaonti0000leep |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/chronophobiaonti0000leep/chronophobiaonti0000leep_marc.xml |
| Download MARC binary | https://www.archive.org/download/chronophobiaonti0000leep/chronophobiaonti0000leep_meta.mrc |
LEADER: 04790cam 22009974a 4500
001 ocm52814160
003 OCoLC
005 20220812135407.0
008 030731s2004 maua b 001 0 eng
010 $a 2003061092
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050 00 $aN72.T4$bL43 2004
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100 1 $aLee, Pamela M.
245 10 $aChronophobia :$bon time in the art of the 1960's /$cPamela M. Lee.
260 $aCambridge, Mass. :$bMIT Press,$c©2004.
300 $axxv, 368 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aPresentness is grace -- Study for an end of the world -- Bridget Riley's eye/body problem -- Ultramoderne : or, how George Kubler Stole the time in sixties art -- The bad infinity/The Longue Durʹee.
520 1 $a"In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E.M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its pervasiveness, the subject of time and 1960s art has gone largely unexamined in historical accounts of the period. Chronophobia is the first critical attempt to define this obsession and analyze it in relation to art and technology."--Jacket.
650 0 $aArt and technology$xHistory$y20th century.
650 0 $aTime in art.
650 0 $aNineteen sixties.
650 6 $aArt et technologie$xHistoire$y20e siècle.
650 6 $aTemps dans l'art.
650 6 $aAnnées soixante (Vingtième siècle)
650 7 $aArt and technology.$2fast$0(OCoLC)fst00815441
650 7 $aNineteen sixties.$2fast$0(OCoLC)fst01037817
650 7 $aTime in art.$2fast$0(OCoLC)fst01151107
600 17 $aKubler, George$d1912-1996$2gnd
600 17 $aRiley, Bridget$d1931-$2gnd
600 17 $aSmithson, Robert$d1938-1973$2gnd
650 7 $aKinetische Kunst$2gnd
650 7 $aKunst$2gnd
650 7 $aTechnik$gMotiv$2gnd
650 7 $aZeit$gMotiv$2gnd
650 7 $aZeit$2gnd
650 17 $aKunst.$2gtt
650 17 $aTijd.$2gtt
650 7 $aArt and technology$xHistory$y20th century.$2nli
650 7 $aTime in art.$2nli
650 7 $aNineteen sixties.$2nli
650 7 $aArt et technologie.$2rasuqam
650 7 $aTemps (Philosophie)$2rasuqam
650 7 $aThème artistique.$2rasuqam
650 7 $a1960-1969.$2rasuqam
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=010501669&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010501669&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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