MARC record from Internet Archive

LEADER: 05389cam 22008654a 4500
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003 OCoLC
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008 040524s2005 hiua bq 001 0 eng
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050 00 $aPN1993.5.C4$bC463 2005
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245 00 $aChinese-language film :$bhistoriography, poetics, politics /$cedited by Sheldon H. Lu and Emilie Yueh-yu Yeh.
260 $aHonolulu :$bUniversity of Hawaiʻi Press,$c2005.
300 $avii, 413 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aFilmography: pages 363-369.
504 $aIncludes bibliographical references (pages 377-398) and index.
505 0 $aMapping the field of Chinese-language cinema / Sheldon H. Lu and Emilie Yueh-yu Yeh -- Shadow opera: toward a new archaeology of the Chinese cinema / Mary Farquhar and Chris Berry -- Bodies in the air: the magic of science and the fate of early 'martial arts' film in China / Zhang Zhen -- Postsadness Taiwan new cinema: eat, drink, everyman, everywoman / Meiling Wu -- Working from the margins: urban cinema and independent directors in contemporary China / Shuqin Cui -- Chinese film culture at the end of the twentieth century: the case of Not one less by Zhang Yimou / Sheldon H. Lu -- Transcultural spaces: toward a poetics of Chinese film / David Bordwell -- Poetics and politics of Hou Hsiao-hsien's films / Emilie Yueh-yu Yeh -- Jia Zhangke's cinematic trilogy: a journey across the ruins of post-Mao China / Xiaoping Lin -- Novels into film: Liu Yichang's Tête-bêche and Wong Kar-wai's In the mood for love / Thomas Y.T. Luk -- Crouching tiger, hidden dragon, bouncing angels: Hollywood, Taiwan, Hong Kong, and transnational cinema / Sheldon H. Lu -- Borrowing postcolonial: Wu Nianzhen's Dou-san and the memory mine / Darrell W. Davis -- Locating feminine writing in Taiwan cinema: a study of Yang Hui-shan's Body and Sylvia Chang's Siao yu / Shiao-ying Shen -- Fists of legend: constructing Chinese identity in the Hong Kong cinema / David Desser -- Hong Kong diaspora film and transnational television drama: from homecoming to exile to flexible citizenship / Sheldon H. Lu -- Hybridity and (g)local identity in postcolonial Hong Kong cinema / Chu Yiu Wai -- Global modernity, postmodern Singapore, and the cinema of Eric Khoo / Gina Marchetti.
520 $aA comprehensive work on Chinese film, this text explores the manifold dimensions of the subject and highlights areas overlooked in previous studies. Leading scholars take up issues and topics covering the entire range of Chinese cinema.
650 0 $aMotion pictures$zChina.
650 0 $aMotion pictures$zTaiwan.
650 6 $aCinéma$zChine.
650 6 $aCinéma$zTaiwan.
650 7 $a24.32 history of film art.$0(NL-LeOCL)077601394$2bcl
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aChina.$2fast$0(OCoLC)fst01206073
651 7 $aTaiwan.$2fast$0(OCoLC)fst01207854
650 7 $aFilm$2gnd
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650 17 $aFilmkunst.$2gtt
650 17 $aFilms.$2gtt
650 07 $aFilm.$2swd
700 1 $aLu, Sheldon H.
700 1 $aYeh, Emilie Yueh-yu.
776 08 $iOnline version:$tChinese-language film.$dHonolulu : University of Hawaiʻi Press, 2005$w(OCoLC)607530996
856 41 $3Table of contents$uhttp://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&user=GUEST&pid=1574281
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