MARC record from Internet Archive

LEADER: 03881cam 2200625 a 4500
001 ocm23015280
003 OCoLC
005 20200211071338.0
008 901227s1991 nyua c 001 0 eng
010 $a 90028684
040 $aDLC$beng$cDLC$dBTCTA$dLVB$dYDXCP$dBAKER$dHALAN$dOCLCO$dOCLCF$dOCLCQ$dOCLCO$dJDP$dOCLCO$dPHUST$dUKUOY$dOCLCQ$dOCL$dCPS$dOCLCO
019 $a973458335$a993733410$a1034914549$a1054472518$a1061499396$a1083389071
020 $a0130286303
020 $a9780130286307
035 $a(OCoLC)23015280$z(OCoLC)973458335$z(OCoLC)993733410$z(OCoLC)1034914549$z(OCoLC)1054472518$z(OCoLC)1061499396$z(OCoLC)1083389071
043 $an-us---
050 00 $aTR660$b.J66 1991
082 00 $a779/.3673/0973$220
100 1 $aJones, Peter C.
245 14 $aThe changing face of America /$cPeter C. Jones.
250 $a1st ed.
260 $aNew York :$bPrentice Hall Press,$c℗♭1991.
300 $a191 pages :$billustrations ;$c22 x 29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
520 $aFrom the Great Boston Fire to the Grand Canyon, from the building of the Brooklyn Bridge to downtown Las Vegas, The Changing Face of America tells the story of how the American landscape has evolved, as seen through the eyes of the country's greatest photographers. Among those whose work is included are William Clift, Carlton Watkins, Edward Weston, Walker Evans, Margaret Bourke-White, and Alfred Stieglitz. Here are: Carlton Watkin's unique wooden dam from 1871, Dorothea.
520 $aLange's depression-era vision of the road west; Frank Gohlke's electric lightning flash; Samuel Gottscho's smoky view of Manhattan; David Plowden's sinister nuclear plant; Emmet Gowin's devastated Mt. St. Helens; Edward Weston's dryly humorous hot coffee in the Mojave Desert; and Timothy O'Sullivan's poignant view of the ancient ruins at Canyon de Chelle. Rarely seen masterpieces are interspersed with some of the most famous pictures of the American landscape. Together.
520 $aThey provide a new perspective on how our open spaces, natural wonders, rivers, highways, farms, shorelines, industrial plants, suburbs, and cities have changed over the years. Here, too, are provocative juxtapositions of the same scenes in the past and present, such as Eadweard Muybridge's 1876 panorama of San Francisco and Mark Klett's panorama shot from the same location 114 years later. What emerges is a remarkable visual - and critical - history of America.
650 0 $aLandscape photography$zUnited States$vExhibitions.
651 0 $aUnited States$vPictorial works$vExhibitions.
650 6 $aPhotographie de paysages$vExpositions.
651 6 $aE tats-Unis$vOuvrages illustre s$vExpositions.
650 7 $aLandscape photography.$2fast$0(OCoLC)fst00992030
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 4 $aBureau of the census.
650 4 $aRacially mixed people.
650 4 $aFace.
650 4 $aPortrait photography.
650 4 $aMultiraciality.
655 7 $aIllustrated works.$2fast$0(OCoLC)fst01423873
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition, pictorial works.$2fast$0(OCoLC)fst01424187
655 7 $aExhibition catalogs.$2lcgft
655 7 $aIllustrated works.$2lcgft
776 08 $iOnline version:$aJones, Peter C.$tChanging face of America.$b1st ed.$dNew York : Prentice Hall Press, ℗♭1991$w(OCoLC)757300755
938 $aBaker & Taylor$bBKTY$c40.00$d30.00$i0130286303$n0001885883$sactive
938 $aBaker and Taylor$bBTCP$n90028684 //r92$c$45.00
938 $aYBP Library Services$bYANK$n61831
029 1 $aAU@$b000007764581
029 1 $aNZ1$b4162631
029 1 $aYDXCP$b61831
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 240 OTHER HOLDINGS