MARC record from Internet Archive

LEADER: 05023cam a2200817 i 4500
001 ocn809911093
003 OCoLC
005 20191109071929.1
008 120917s2013 ilua b 001 0 eng c
010 $a 2012037863
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016 7 $a016260718$2Uk
019 $a864520354$a867750845$a1008438236
020 $a9780226115702$q(cloth ;$qalkaline paper)
020 $a0226115704$q(cloth ;$qalkaline paper)
020 $z9780226013121$q(e-book)
024 8 $a40022900812
029 1 $aAU@$b000052155328
029 1 $aNZ1$b15237021
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035 $a(OCoLC)809911093$z(OCoLC)864520354$z(OCoLC)867750845$z(OCoLC)1008438236
037 $bUniv of Chicago Pr, Attn: John Kessler C/O Chicago Distribution Center 11030 Langley Ave, Chicago, IL, USA, 60628$nSAN 202-5280
042 $apcc
043 $an-us---
050 00 $aN6512.5.I56$bC66 2013
082 00 $a704.03/96073$223
049 $aMAIN
100 1 $aCopeland, Huey.
245 10 $aBound to appear :$bart, slavery, and the site of blackness in multicultural America /$cHuey Copeland.
264 1 $aChicago :$bUniversity of Chicago Press,$c[2013]
300 $axvi, 256 pages :$billustrations ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 229-248) and index.
505 0 $aIntroduction. The blackness of things -- Fred Wilson and the rhetoric of redress -- Lorna Simpson's figurative transitions -- Glenn Ligon and the matter of fugitivity -- Renée Green's diasporic imagination -- Epilogue. Alternate routes.
520 $aAt the close of the twentieth century, black artists began to figure prominently in the mainstream American art world for the first time. Thanks to the social advances of the civil rights movement and the rise of multiculturalism, African American artists in the late 1980s and early '90s enjoyed unprecedented access to established institutions of publicity and display. Yet in this moment of ostensible freedom, black cultural practitioners found themselves turning to the history of slavery. "Bound to Appear" focuses on four of these artists - Renee Green, Glenn Ligon, Lorna Simpson, and Fred Wilson - who have dominated and shaped the field of American art over the past two decades through large-scale installations that radically departed from prior conventions for representing the enslaved. Huey Copeland shows that their projects draw on strategies associated with minimalism, conceptualism, and institutional critique to position the slave as a vexed figure - both subject and object, property and person. They also engage the visual logic of race in modernity and the challenges negotiated by black subjects in the present. As such, Copeland argues, their work reframes strategies of representation and rethinks how blackness might be imagined and felt long after the end of the "peculiar institution." The first book to examine in depth these artists' engagements with slavery, "Bound to Appear" will leave an indelible mark on modern and contemporary art.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aWilson, Fred,$d1954-$xCriticism and interpretation.
600 10 $aSimpson, Lorna,$d1960-$xCriticism and interpretation.
600 10 $aLigon, Glenn,$d1960-$xCriticism and interpretation.
600 10 $aGreen, Renée$xCriticism and interpretation.
600 17 $aGreen, Renée.$2fast$0(OCoLC)fst00330928
600 17 $aLigon, Glenn,$d1960-$2fast$0(OCoLC)fst00362093
600 17 $aSimpson, Lorna,$d1960-$2fast$0(OCoLC)fst01428351
600 17 $aWilson, Fred,$d1954-$2fast$0(OCoLC)fst00330600
600 14 $aGreen, Renée,$d1959-
600 14 $aLigon, Glenn,$d1960-
600 14 $aSimpson, Lorna,$d1960-
600 14 $aWilson, Fred,$d1954-
650 0 $aSlavery in art.
650 0 $aInstallations (Art)$zUnited States.
650 0 $aAfrican American artists.
650 7 $aAfrican American artists.$2fast$0(OCoLC)fst00799017
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
650 7 $aSlavery in art.$2fast$0(OCoLC)fst01120514
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aSlaveri i konsten.$2sao
650 7 $aKonstinstallationer.$2sao
650 7 $aAfro-amerikanska konstnärer.$2sao
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
938 $aBrodart$bBROD$n104447907
938 $aBaker and Taylor$bBTCP$nBK0012110228
938 $aCoutts Information Services$bCOUT$n23471606
938 $aErasmus Boekhandel$bERAA$nNTS0000152834
938 $aWorldwide Books$bWWBK$n152714
938 $aYBP Library Services$bYANK$n9658178
994 $a92$bERR
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