| Record ID | ia:blackcitycinemaa0000mass |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/blackcitycinemaa0000mass/blackcitycinemaa0000mass_marc.xml |
| Download MARC binary | https://www.archive.org/download/blackcitycinemaa0000mass/blackcitycinemaa0000mass_meta.mrc |
LEADER: 05048cam 2200877 a 4500
001 ocm49699245
003 OCoLC
005 20201111145334.0
008 020425s2003 paua b 001 0 eng
010 $a 2002020421
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024 3 $a9781592130030
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050 00 $aPN1995.9.N4$bM33 2003
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100 1 $aMassood, Paula J.,$d1965-
245 10 $aBlack city cinema :$bAfrican American urban experiences in film /$cPaula J. Massood.
260 $aPhiladelphia :$bTemple University Press,$c2003.
300 $axi, 268 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCulture and the moving image
504 $aIncludes bibliographical references (pages 227-255) and index.
505 0 $aAntebellum idyll and Hollywood's black-cast musicals -- Harlem is heaven: city motifs in race films from the early sound era -- Cotton in the city: the black ghetto, blaxploitation, and beyond -- Welcome to crooklyn: Spike Lee and the rearticulation of the Black urbanscape -- Out of the ghetto, into the hood: changes in the construction of Black city cinema -- Taking the a-train, the city, the train, and migration in Spike Lee's clockers.
520 $aThis work shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural south to cities in the North, West, and Mid-West during the first three decades of the 20th century. By the onset of the Depression, the Black population had become primarily urban, transforming individual lives as well as urban experience and culture. The text probes into the relationship of place and time, showing how urban settings became an intrinsic element of African American film as Black people became more firmly rooted in urban spaces and more visible as historical and political subjects. Illuminating the intersections of film, history, politics, and urban discourse, it considers the chief genres of African American and Hollywood narrative film: the black cast musicals of the 1920s and the "race" films of the early sound era to blaxploitation and the hood films as well as the work of Spike Lee toward the end of the 20th century.
650 0 $aAfrican Americans in motion pictures.
650 0 $aCity and town life in motion pictures.
650 0 $aMotion pictures$zUnited States.
650 6 $aNoirs américains au cinéma.
650 6 $aVie urbaine au cinéma.
650 6 $aCinéma$zÉtats-Unis$xThèmes, motifs.
650 7 $aAfrican Americans in motion pictures.$2fast$0(OCoLC)fst00799733
650 7 $aCity and town life in motion pictures.$2fast$0(OCoLC)fst00862099
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
630 07 $aBibel$pPhilemonbrief$2gnd
650 7 $aGroßstadtsoziologie$2gnd
650 7 $aSchwarze$2gnd
610 27 $aUniversity of South Alabama$2gnd
650 7 $aStadt$2gnd
650 17 $aFilms.$2gtt
650 17 $aStadscultuur.$2gtt
650 07 $aFilm.$2swd
651 7 $aSchwarze.$2swd
651 7 $aUSA.$2swd
830 0 $aCulture and the moving image.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/fy036/2002020421.html
856 41 $3Table of contents$qapplication/pdf$uhttp://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=3184267
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009879661&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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938 $aBaker and Taylor$bBTCP$n2002020421
938 $aYBP Library Services$bYANK$n1898487
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