MARC record from Internet Archive

LEADER: 03053cam 22005294a 4500
001 9919635660001661
005 20150423121747.0
008 080417s2009 enka b 001 0deng
010 $a 2008017737
019 $a223812822
020 $a0415375088 (hb : alk. paper)
020 $a9780415375085 (hb : alk. paper)
020 $a0415375096 (pb : alk. paper)
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020 $a0203882105 (ebk)
020 $a9780203882108 (ebk)
029 1 $aAU@$b000043961289
035 $a(CSdNU)u362079-01national_inst
035 $a(OCoLC)166360302
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049 $aCNUM
050 00 $aPT2603.R397$bZ78527 2009
082 00 $a832/.912$222
100 1 $aMumford, Meg.
245 10 $aBertolt Brecht /$cMeg Mumford.
250 $a1st ed.
260 $aLondon ;$aNew York :$bRoutledge,$c2009.
300 $axiv, 188 p. :$bill. ;$c21 cm.
440 0 $aRoutledge performance practitioners
504 $aIncludes bibliographical references (p. [175]-188) and index.
505 0 $a1. A Life of Flux -- Which Brecht? -- On the make: from Bavaria to Berlin (1898-1924) -- Changing the world: Weimar politics (1924-33) -- On the run: exile in Europe and America (1933-47) -- Building a collective: Brecht in the GDR (1947-56) -- Brecht today? -- 2. Brecht's Key Theories -- Brecht in dialogue -- Brecht's key concerns -- Getting the gist of Gestus -- Verfremdung and V-effects -- Historicization: questioning the present through the past -- The modern theatre is the epic theatre -- Dialectics in the theatre -- Brecht's socialist realism: imitation meets experimentation -- Conclusion -- 3. The Caucasian Chalk Circle: A Model Production -- Prologue: a model -- A historicizing epic -- A Berliner Ensemble show -- Epilogue: 'The proof of the pudding is in the eating' -- 4. Practical Exercises and Workshop -- Preparing for spectActorship -- Section One: remembering exercises from the past -- Section Two: a workshop for Brechtians -- Conclusion.
600 10 $aBrecht, Bertolt,$d1898-1956$xCriticism and interpretation.
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938 $aTaylor & Francis$bTYFR$n0415375096
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949 $aPT 2603.R397 Z78527 2009$i31786102588370
994 $a92$bCNU
999 $aPT 2603 .R397 Z78527 2009$wLC$c1$i31786102588370$lCIRCSTACKS$mNULS$rY $sY$tBOOK$u8/31/2009